{"title":"ALL PRODUCTS","description":"","products":[{"product_id":"packrat","title":"PACKRAT","description":"\u003cp\u003eIn 1978, one of the most versatile distortion pedals of all time was invented in Kalamazoo–the ProCo RAT. Scott Burnham and Steve Kiraly had the idea after playing, repairing, and modifying all distortion pedals on the market. They wanted something that didn’t exist yet at MXR, DOD, or BOSS, a pedal that could go from overdrive to distortion and all the way to fuzz. By 1979, Scott perfected the circuit in his rat-infested basement workshop. The rest is history.\u003c\/p\u003e\n\u003cp\u003eThe PackRat is the ultimate tribute to 40+ years of RAT evolution and its impact on guitar’s sound. Artists from every genre have used this iconic and unassuming black box to create their tones, including Nirvana, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck, and Radiohead. \u003c\/p\u003e\n\u003cp\u003eThe PackRat uses the same unique digital runway system featured in our other multimode pedals (Muffuletta and Bonsai) to direct the paths of 261 components through 40 individual switches. This means when you choose one of the nine legendary modes, you are playing fully analog circuits that perfectly replicate that mode down to the aging components. If you purchased these nine hard-to-find pedals on the used market right now, you’d pay around \u003cs\u003e$4000\u003c\/s\u003e $6000 \u003cem\u003e(updated Summer 2024)\u003c\/em\u003e. The PackRat at $249 saves you thousands! \u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eUsing the PackRat is straightforward. “Volume” adjusts the overall volume of the pedal. “Distortion” lets you raise and lower the amount of gain or distortion. “Filter” allows you to brighten or darken the sound of the overall effect, acting as a simple low-pass filter. The “Mode” knob is a rotary switch that clicks between each of the nine legendary RAT versions. As you change the mode, the analog circuitry is rewired between different values of resistors, capacitors, diodes, and op-amps. \u003c\/p\u003e\n\u003cp\u003eResearch I obtained over 100 different RAT specimens for study and interviewed former ProCo employees about the design, evolution, and production of the RAT. Many of the widely accepted “facts” about the differences in versions or sounds, including some of my own beliefs, were misinformed at best. Often, they’re wrong. Reliable sites had inaccurate timelines with incorrect pictures of the respective models. Even ProCo’s own history was missing tons of details about changes made to the RAT over the past 40 years. \u003c\/p\u003e\n\u003cp\u003eTo find the facts and properly understand this circuit, we obtained and studied every RAT model ever made (including some prototypes) in great detail. We analyzed them using state-of-the-art audio precision equipment, measured components, built comparison charts, traced each circuit, and closely examined the branding, logos, and other changes as precisely as possible. \u003c\/p\u003e\n\u003cp\u003eVintage units are typically dated by reading manufacturer codes on potentiometers and knobs. Unfortunately, this is a flawed dating method. ProCo would have ordered thousands of potentiometers, and many pedals were made with parts that were at least two or three years older than the production date. This means you’ll see v1s, v2s, and v3s with overlapping dates. Combine this with decades of people “remembering” what RAT model sounds the best, and you’re in a historically inaccurate hot mess. \u003c\/p\u003e\n\u003cp\u003eTo properly build an accurate timeline and database of changes, I dated components when possible, interviewed people involved in the eras of production, referenced over 1,000 online sales photographs, and studied the prototypes and evolution of engineer design ideas. I did everything possible to build an airtight case for my work and not rely on any prior timelines. The results may not be perfect, but they’re pretty close. \u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eThe PackRat Modes \u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e1. The OG v1 (79-83)\u003c\/p\u003e\n\u003cp\u003eThe OG is a perfect recreation of the first line of RATs ever made. Early v1s are also known as the Fringe Logo and can be identified by the word RAT having a slight fringe graphic on the typeface. The v1 also has small silver capped knobs and a Tone knob instead of the more familiar Filter label. From a circuitry standpoint, the v1 and v2 Big Box models are practically identical except that the v1 Tone control increases treble as you turn clockwise while the v2 Filter control decreases treble. In the OG mode, you are playing the exact circuitry of my 1979 v1 Fringe model, including accurate Tone control rotation and taper. You should know the v1 and v2 are the same circuit. Simple adjustments to the Tone\/Filter control can achieve identical sounds from each unit. I know super nerds will ask why we didn’t include a Bud Box mode. Basically, I’d consider the Bud Box RAT to be a v1 because it is nearly identical, other than having an input buffer and a few extra parts. \u003c\/p\u003e\n\u003cp\u003e2. White Face v3 (84-86)\u003c\/p\u003e\n\u003cp\u003eIn 1984, the RAT transitioned to a smaller square enclosure with a new white rectangle logo. The word RAT was in all black caps inside the white rectangle–hence the “White Face” nickname. In 1986, this same model had a logo change that inverted the white and black colors, resulting in the more familiar white rectangle outline and font on a black enclosure. This “White Face” model has become a holy grail RAT and even spawned a reissue in the nineties. The irony is that it’s the same exact circuit as the previous Big Box V2, the 1986 “Black Face,” and the 1989 RAT2. The “White Face” V3 update was purely cosmetic due to screen printing errors that needed to be solved. ProCo knew that the world wanted smaller pedals as brands like BOSS, DOD, and Ibanez gained increasing market share. They wisely cashed in on the trend. Why would I put this particular version in my PackRat if it’s not different from the OG? For one, nostalgia is a powerful thing. Second, this mode switches to the reverse orientation Filter control with an entirely different feel and experience. It also widens the sweet spot for the most beloved RAT tones. \u003c\/p\u003e\n\u003cp\u003e3. Turbo v5 (89)\u003c\/p\u003e\n\u003cp\u003eThe heart of the RAT tone comes from symmetrical hard clipping. A simple amplifier circuit amplifies the signal and pushes it across a pair of clipping diodes. These diodes clip off the top of the waveform and create square wave distortion. Every RAT until 1989 utilized silicon diodes, like the DOD 250 and BOSS DS-1, but the new Turbo RAT used LEDs. This technique was a first in pedals and offered a completely new RAT experience. The silicon diodes in previous versions have a lower forward voltage, leading to a faster and more extreme clipping of the waveform. This type of diode creates a very saturated tone. LEDs have a much higher forward voltage, so they don’t activate or clip the signal as fast or as hard. It takes more signal to reach the clipping point, creating more touch sensitivity. It is also worth noting this model was the first RAT to offer the sloped enclosure we see today. \u003c\/p\u003e\n\u003cp\u003e4. BRAT v6 (97)\u003c\/p\u003e\n\u003cp\u003eIn 1997, ProCo got into the budget pedal game by releasing the BRAT and the Guitar Center exclusive Roadkill. So far, these identical circuits with different but very 90s grunge aesthetics have the most changes in the evolution. This design added an input buffer circuit and soft clipping (inside the op-amp) on top of the hard clipping of previous RATs. We also see a return to the opposite taper\/rotation Filter control and several capacitor value changes that alter frequency response and distortion characteristics. \u003c\/p\u003e\n\u003cp\u003e5. Dirty v7 (04)\u003c\/p\u003e\n\u003cp\u003eIn 2002, ProCo released a 2-in-1 RAT pedal called the Deucetone. This pedal allowed you to have two completely separate RATs and activate them independently or stack them together. It also introduced two brand new sounds into the RAT topology–“Clean RAT” and “Dirty RAT.” Due to the popularity of the “Dirty RAT” mode, they released it as a single pedal called You Dirty RAT. This circuit utilizes germanium diodes in the symmetrical hard clipping section. This gives the most saturation and waveform clip-off of any version to date. In addition to the diode changes, this model had several different capacitor value changes, which led to a different distortion character and feel. \u003c\/p\u003e\n\u003cp\u003e6. LA (86)\u003c\/p\u003e\n\u003cp\u003eIn 1986, Ibanez released the 10 Series, which included three RAT style pedals. The Super Product and Fat Cat were traditional RAT-style pedals, while the quirkier LA Metal was, in my opinion, one of the best modified RAT circuits of the eighties. It includes a great input buffer, several key capacitor changes for frequency response, and no clipping diodes. The distortion is produced by overloading or “clipping the rails” of the op-amp. You may not play LA metal, but I promise you’ll love this mode! \u003c\/p\u003e\n\u003cp\u003e7. Landgraff MO’D (99)\u003c\/p\u003e\n\u003cp\u003eBetween 1999 and 2000, John Landgraff started building pedals by hand in Pensacola, each with a unique swirl paint job and soldered point-to-point. John’s pedals gained a reputation for sounding amazing and remain the true definition of boutique. Of all his releases, my favorite was a distortion pedal called the “MO’D,” a distant cousin of the RAT and a fantastic pedal in its own right. \u003c\/p\u003e\n\u003cp\u003e8. Caroline (10) \u003c\/p\u003e\n\u003cp\u003eA few years after starting JHS, I purchased a fascinating distortion pedal from a brand new company in South Carolina. I remember jumping on the phone and geeking out with the designer and head of the company, Philippe Herndon. We talked about the circuit, his love for RATs, and his clever take on the circuit. That pedal was called the Wave Cannon, and when I started the PackRat project, Philippe was obviously the friend I needed to bring along for the ride.\u003c\/p\u003e\n\u003cp\u003e9. JHS Mode \u003c\/p\u003e\n\u003cp\u003eIn 2003, I managed a tiny guitar shop in Northwest Alabama. One day, a man walked in wanting to sell a vintage Small Box RAT. When the shop’s owner said he wasn’t interested, I said I was and bought that RAT for $15. This event led me down the pedal-collecting rabbit hole. That pedal stayed on my board for a decade. When I started modifying and building pedals in 2007, I opened it up and modded it to give a different kind of sound. That modification led to the now discontinued JHS All American and the JHS “PackRat” mod we performed on thousands of RAT pedals from 2008-2018. The JHS Mode lets me keep what makes the RAT unique and add in a few of my favorite mods.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 100MA, AND MEASURES 2.2\" X 4.8\" X 1.6\".\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42317406470244,"sku":"PK","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsPackRat.png?v=1698362779"},{"product_id":"bonsai","title":"BONSAI","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn the late 1970's the overdrive pedal was arguably perfected when Japanese engineers designed the sound that we now know as the heart and soul of so many of our favorite artists, recordings and sounds. Players ranging from The Edge, Trey Anastasio, Buddy Guy, Kirk Hammett, John Mayer, SRV, Carlos Santana and thousands more from every possible genre have utilized and depended on this classic iconic green box. If a single effect pedal was chosen to board a Voyager 3 mission and be solely responsible for showing the universe the sound of overdrive, it would undoubtably be Tube Screamer. It is probably the most produced and sold pedal in the history of guitar pedals! The Bonsai is our tribute to one of the greatest pedals ever created.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eFollowing in the steps of our Muffuletta (released 2015), the Bonsai utilizes a simple rotary knob to switch through nine classic, vintage, rare, or hard to find variations of the Screamer. Creating the Bonsai became an archeological dig of sorts that sent us deep into the history of this circuit by examining dozens of versions, variations and replications. At the end of it all, Josh chose nine of his personal and favorite units and we painstakingly replicated every nuance and aspect of each pedal. One of the most challenging parts of this project was accounting for component drift as many of these pedals were decades old and the internal components had strayed from their original values. Each pedal was individually replicated using our Audio Precision analyzer and various other methods that allowed us to perfectly replicate every aspect of the sound and feel of the unit. It's important to know that the Bonsai is not a \"box of mods,\" it is exact replications of these nine units all housed in one box! The Bonsai is exact replication, not emulation. When you choose a mode on the Bonsai rotary, you are actually activating components specific to each mode and playing the unit that Josh chose along with all the quirks, drift, vintage mojo, and individuality that a vintage pedal has.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eThe Bonsai Modes\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOD-1 - 1977\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eAn overall brighter and slightly higher gain mode that does not utilize the Tone knob. This mode also inverts signal just like the original and has asymmetrical clipping. The OD-1 is magical at boosting other drives or amps into singing saturation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTS-808 - 1979\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe classic low gain with that signature pronounced mid range.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTS-9 - 1982\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eNearly identical to the TS-808 but with a slightly more pushed low-mid range.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMSL, POWER OR L SERIES - 1985\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThough metal is in the name, this sound doesn’t quite inspire the modern metal djent we think of. Still it has a higher gain sound with a more low end and an overall more gooey feel.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTS-10 - 1986\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eMade famous by John Mayer, this model is a slight upgrade from the TS9 for the late ’80s. Bluesy, crisp, more low end roll off and low gain.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEXAR OD-1 1989\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe EXAR is a Polish made TS-style pedal that has a slightly different drive character with a little more gain than the classic screamers as well as a slightly more transparent feel.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTS-7 (+MODE) - 1999\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe hot mode on this version gives you the highest gain sound in the Bonsai. More low end and dirt fill out the tone to have you shredding away.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eKEELEY MOD PLUS - 2002\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eRobert Keeley’s classic mod tightens up the tone on the original giving you smoother mid range and high frequencies, and increased bass response.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eJHS STRONG MOD - 2008\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eOur own mod we’ve been doing since 2008 is much cleaner and overall more powerful. The mode has more pronounced higher and low end drop offs.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWith the JHS Pedals’ Bonsai you can get the classic sounds of nine Tubescreamers in one pedal. Let the Bonsai help you find your overdrive zen.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 20 MA, AND MEASURES 2.6\"X4.8\"X1.6\".\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eTHE WORDS IBANEZ, BOSS, ROLAND, TUBESCREAMER, TS9, 808, EXAR, AND KEELEY, AUDIO PRECISION MAY BE REGISTERED TRADEMARKS. THE JHS PEDALS BONSAI IS IN NO WAY AFFILIATED OR ENDORSED BY IBANEZ, BOSS, ROLAND, TUBESCREAMER, TS9, 808, EXAR, KEELEY, AND AUDIO PRECISION.\u003c\/em\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42317412860004,"sku":"BI","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsBonsai.png?v=1698381502"},{"product_id":"muffuletta","title":"MUFFULETTA","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eDISTORTION \/ FUZZ\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but we couldn’t come to a consensus about which Muff was king. With the Muffuletta, our indecision is your gain. We crammed five all-analog re-creations of the pedal’s most beloved tones into this box. We even threw in a JHS-exclusive tone that is our take on the historic stomp. No matter what Big Muff era you prefer, you can get ‘em all in the JHS Muffuletta fuzz pedal.\u003c\/p\u003e\n\u003ch2\u003eThe Muffuletta Modes \u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eJHS Mode - \"2015\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe JHS Muff is a JHS original take on the classic circuit. You will find this version more powerful and less compressed, with a more haunting midrange. It is also the best for bass guitar.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e1973 RAMS HEAD - “1973-1977 V2”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe ‘73 Rams Head gets its name for the strange little face that appears on the lower right corner of the original pedal. It is best known for having a scooped midrange, less gain, and being darker.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e\u003cem data-mce-fragment=\"1\"\u003eFamous users: David Gilmour (main Pink Floyd recordings), Ernie Isley (Isley Brothers), and J. Mascis (Dinosaur Jr.)\u003c\/em\u003e\u003c\/p\u003e\n\u003cstrong\u003eTHE TRIANGLE - “1969-1970 V1”\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe Triangle Muff is so named for the triangle arrangement of the knobs. It boasts more low-end response while being more articulate.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e\u003cem data-mce-fragment=\"1\"\u003eFamous users: Santana, David Gilmour's Pete Cornish-made pedalboards, John Lennon, Kevin Shields (My Bloody Valentine), and possibly Jimi Hendrix.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cstrong\u003eTHE PI - “1977-1978 V3”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eAn instantly recognizable red Pi symbol gives this pedal its moniker. This is not to be confused with the later redesigned NYC version released in 2000. It features a more aggressive sound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e\u003cem data-mce-fragment=\"1\"\u003eFamous users: \u003c\/em\u003e \u003cem data-mce-fragment=\"1\"\u003eFrank Zappa, Billy Corgan (Smashing Pumpkins), Jack White, The Edge (U2), Beck, and Pete Townshend (The Who).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cstrong\u003eTHE RUSSIAN - \"1999-2009 V8”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe Russian Muff is named by the “Made in Russia” text found on the back of the pedals. It sports less clarity and less low end than other models. A great garage-type sound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e\u003cem data-mce-fragment=\"1\"\u003eFamous users: Dan Auerbach (Black Keys), Chris Wolstenholme (Muse), and Robin Finck (Nine Inch Nails).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cstrong\u003eTHE CIVIL WAR - “1991-1993 V7”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe old-style Civil War-era font and navy and gray colors found on these pedals’ enclosures dictate their name. They are best known for having more midrange and having a brighter overall tone with less gain.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e\u003cem data-mce-fragment=\"1\"\u003eFamous users: Thurston Moore (Sonic Youth), John Fogerty, Jeff Tweedy (Wilco), Mike Mills, and Peter Buck (REM).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 4MA, AND MEASURES 2.2\"X4.8\"X1.6\".\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cblockquote data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e\u003cem\u003e\"I want to give a massive thank you to my good friend Jon Cusack and \u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.cusackmusic.com\/\" data-mce-href=\"https:\/\/www.cusackmusic.com\/\"\u003eCusack Music\u003c\/a\u003e for helping this hefty idea be fully realized. Jon you are a wizard of circuitry and a deep well of design knowledge to the things that are over my head – Josh\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42317421412452,"sku":"MFG","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsMuffulettaGreen.png?v=1698363281"},{"product_id":"morning-glory","title":"MORNING GLORY","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eOVERDRIVE\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Morning Glory is undoubtedly our most well-known overdrive pedal, winning more awards and receiving more accolades than any of our other designs. We worked hard to make it one of the most transparent overdrives out there. When you want to add some mid- to low-level grit to your crystal-clean tone, use the Morning Glory. When you want to boost a crunchy tone into thicker sustain, use the Morning Glory. When you need to add tube-like touch response to a less-than-ideal amp, use the Morning Glory. When you need to switch between two gain levels on the fly...Yeah, you get the idea.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTRULY TRANSPARENT TONE\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe best way to explain the Morning Glory is that it delivers all the tonal and responsive nuance that your amp is missing, and nothing that your tone already has. It’s difficult describing a pedal that can be set to have little effect on your tone, so just plug into our Morning Glory overdrive for yourself, and then you’ll understand.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Gain control sweeps from completely clean to rock‘n’roll\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Tame high end on brighter rigs with the side-mounted bright-cut switch\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Increased headroom and output for use as a full-frequency boost\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eON-THE-FLY VERSATILITY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eAn update for the Morning Glory V4 is moving the original's front-mounted bright-cut switch to the side of the pedal and replacing it with a powerful boost circuit. And by pairing your Morning Glory V4 with the JHS Red Remote (sold separately), you’re able to access the boost mid-song. It’s like having two Morning Glorys in one pedalboard-friendly package.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Switch to a more powerful sound with enhanced low end and grit\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Plug in your JHS Red Remote to switch between the two voices with a tap of your toe\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Handy LED changes from blue to red, indicating the status of the boost circuit\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY:\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV1 = Bigger white enclosure with black knobs; no bright-cut switch; no logo.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV2 = Changed to smaller current enclosure; gold powder coat color.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV3 = Bright-cut toggle added.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV4 = Two times more headroom; Gain Toggle added; Red Remote system added.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 43MA, AND MEASURES 2.6\" X 4.8\" X 1.6\". \u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42317426851940,"sku":"MG","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsMorningGloryV4.png?v=1698363259"},{"product_id":"pulp-n-peel-v4","title":"PULP N PEEL V4","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eCOMPRESSOR \/ PREAMP \/ DI BOX \u003c\/strong\u003e \u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Pulp ‘N’ Peel V4 is the truly transparent compressor pedal you’ve been dreaming of. Its smooth-sounding parallel compression circuit offers you the power to blend in your ideal balance of compressed and uncompressed signal. You’re able to add a touch of grit to your tone thanks to the pedal’s Dirt mini toggle. Also, whether you’re a bassist sending your signal direct or a guitarist running the Pulp ‘N’ Peel on your pedalboard, the pedal’s ¼”, balanced XLR outputs have you covered. This compressor\/preamp pedal sports a ton of tone-shaping power, so no matter what your compression needs are, the Pulp ‘N’ Peel V4 is your go-to solution.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHE EXACT COMPRESSION YOU’VE BEEN WAITING FOR\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWe know how much effort you put into getting your tone exactly right. That’s why we worked so hard to ensure the Pulp ‘N’ Peel V4 maintains your instrument’s natural attack, has a very low noise floor, and adds a professional polish to every chord, lead line, and note from your amplifier.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Improved detection circuit for smoother tones with added sustain\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Active EQ control that cuts or boosts high end\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Parallel Blend control balances your compressed and uncompressed signals\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWARM STUDIO-STYLE GRIT TO HELP YOU CUT THROUGH\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWhether you’re looking to warm up your sound in the studio or want to add some grind for the stage, flip the Dirt mini toggle and you’re there. Want to push your amp hard for even more grind? The V4 has been improved with greatly increased headroom and output on the volume control.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Dirt voiced to go from warm tone enhancement to gritty tonal foundation\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Low-profile gain control is safely located on the side of the pedal\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Works especially great on bass\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Increased output works as a fantastic full-frequency boost\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eONSTAGE, IN THE STUDIO, OR ANYWHERE ELSE\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eNo matter what electric instrument you play, we’ve outfitted the Pulp ‘N’ Peel compressor\/preamp pedal with enough connectivity options to make it your go-to compressor in the studio, on your pedalboard, at home, or anywhere else.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Standard ¼” instrument input and output\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- XLR\/DI balanced output for going direct to the board or interface (try it on acoustic and bass!)\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Ground-lift switch to eliminate hum and buzz (if dealing with unwanted ground loops when interfacing with other equipment)\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- High-quality “always-on” buffer\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY:\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV1 = Only two knobs; no logo; extremely rare.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV2 = Three controls; softer orange color; older orange slice logo.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV3 = Three controls; includes LBB via internal dip switch.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV4 = (2016) Four controls; added EQ knob, Dirt Toggle, and XLR output.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV4 = (2020 update) Buffer switch removed; buffered bypass soft-touch switching added.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 32MA, AND MEASURES 2.6\"X4.8\"X1.5\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42317932560484,"sku":"PNP","price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsPulpnPeelV4.png?v=1698373344"},{"product_id":"colour-box-v2","title":"COLOUR BOX V2","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePREAMP \/ EQ \/ OVERDRIVE \/ DISTORTION \/ FUZZ \/ DI BOX\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn 2012, I had a crazy idea for a tone shaping device that had never been done before in the world of guitar pedals. I wanted to create an effects pedal that replicated the hard-to-achieve sounds of \"direct-in\" electric guitar recordings that I loved.  Bands like the Beatles, Spoon, Wilco, and Steely Dan had used this technique for years, but it was nearly impossible to recreate live.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eI wanted this pedal to transform my guitar rig into the tonal equivalent of a Neve studio console, and that was no small task. After lots of trial and error, experimentation, and re-works, this concept evolved into something far beyond what we had imagined.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn 2014 as we filmed the first demo videos at Abbey Road Studios in London and this idea had evolved into the most unique product we had ever made. The Colour Box was a full-fledged studio-grade preamplifier, EQ, and distortion generator with multi-instrument compatibility. It did what I had always wanted it to do, but it did so much more!\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eOn its release day, I wasn't quite sure how it would be accepted, but I knew that I loved it. As a few months went by, we saw something amazing begin to happen; this pedal was showing up in all types of environments. Producers, engineers, and artists were emailing us, tagging us on socials and showing how they had put the Colour Box to use. Studio vocals, live vocals, kick drums, acoustic guitars, bass, keys, overhead drums, stereo buses, room mics, synths, re-amps, and some incredibly large stage setups had it on almost every instrument! This unit can be heard on dozens of recordings from U2, Wilco, The National, Spoon, Collective Soul, Muse, the War on Drugs, and Phantogram amongst others. As proud of this pedal as we were, we wanted to make it better, so we did. \u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eVERSION 2 EMERGES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Colour Box V2 has all the same functionality of the V1 with many new and improved additions like expanded EQ controls, a Hi\/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe most significant improvements are:\u003c\/p\u003e\n\u003cul data-rte-list=\"default\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eAddition of an Output transformer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eSafely Passes 48V Phantom Power\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eEQ Shift Knobs for precision EQ control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eHi\/Lo Switch for ultra clean headroom\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e100% available clean signal even on acoustic guitar\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eSilent switching, aka no \"switch-pop\"\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eRuns on standard 9V DC Neg power\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFEATURES \u0026amp; CONTROLS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a \"drive\" or \"gain\" control, adding more grit, distortion, and even fuzz as you increase the gain.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18 dB, 2nd is +23 dB, 3rd is +28 dB, 4th is +33 dB, 5th is +39 dB.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Colour Box V2 has a new Hi \/ Lo switch to control the amount of clean headroom you have available. In the Lo mode, you will easily be able to get ultra clean sounds without breakup. Lo Mode is excellent for tone shaping when distortion is not needed. In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion, and fuzz sounds.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn addition to the Hi \/ Lo gain switch, there is a -20dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high output microphones.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMOST POWERFUL EQ YET\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls. The classically labeled EQ knobs adjust the amount of frequencies that get boosted and cut, while the Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eEQ Functions\u003c\/p\u003e\n\u003cul data-rte-list=\"default\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTreble Knob\u003c\/strong\u003e - Cut\/Boost Control     +\/-15dB  flat at noon.  CCW cuts, CW boosts.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMiddle Knob \u003c\/strong\u003e- Cut\/Boost Control    +\/- 10dB  flat at noon.  CCW cuts, CW boosts.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBass Knob\u003c\/strong\u003e -   Cut\/Boost Control   +\/-15dB  flat at noon.  CCW cuts, CW boosts.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eFrequencies controlled by EQ Shift Knobs:\u003c\/p\u003e\n\u003cul data-rte-list=\"default\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTreble Shift \u003c\/strong\u003e- 2kHz to 30kHz –  CCW lowers the center Freq, CW raises the center Freq.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMiddle Shift \u003c\/strong\u003e- 150Hz to 2.4kHz –  CCW lowers the center Freq, CW raises the center Freq.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBass Shift \u003c\/strong\u003e- 20Hz to 440Hz –  CCW lowers the center Freq, CW raises the center Freq.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe \u003cstrong data-mce-fragment=\"1\"\u003eHi-Pass\u003c\/strong\u003e section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob. The HPF is a 2nd order 12dB per octave high pass filter. The -3dB cutoff freq (the frequency at which the filter starts to act) can be adjusted from 160Hz to 650Hz.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eXLR AND OUTPUT\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Colour Box V2 has a combination XLR and 1\/4\" input jack to use either an instrument or microphone. Select your input with the input selector switch on the right side of the pedal labeled INST\/XLR.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV1 = Smaller enclosure; no “shift” EQ knobs; seven knobs total.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV2 = Larger enclosure; ten knobs total; added Hi\/Lo Toggle; passes phantom power. Output transformer addition.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHE COLOUR BOX V2 RUNS ONLY ON STANDARD 9V DC NEGATIVE POWER (DO NOT PLUG IN ANYTHING GREATER THAN 9V) AND MEASURES 5.7” X 3.75” X 1.85\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42317936263268,"sku":"CBOX","price":449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsColourBoxV2.png?v=1698373484"},{"product_id":"3-series-flanger","title":"3 SERIES FLANGER","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe 3-Series Flanger is inspired by the classic (and absurdly expensive) analog flangers of the past like the Electro-Harmonix Electric Mistress, the Tycobrahe Pedalflanger and the MXR M117 Flanger. The best part? Our 3-Series Flanger is $99. The JHS Pedals 3 Series Flanger runs on 9V DC Negative Center power and consumes 70mA.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003cbr\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319765373028,"sku":"3SFL","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHS-Pedals-3-Serires-Flanger-Front.png?v=1698426709"},{"product_id":"3-series-hall-reverb","title":"3 SERIES HALL REVERB","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe 3-Series Hall Reverb is inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. The JHS Pedals 3 Series Hall Reverb runs on 9V DC Negative Center power and consumes 70mA.\u003c\/p\u003e\n\u003cp\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319768911972,"sku":"3SHR","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHS-Pedals-3-Serires-HallReverb-Front.png?v=1698426814"},{"product_id":"3-series-harmonic-trem","title":"3 SERIES HARMONIC TREM","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn 1960, Leo Fender introduced a circuit in his Bandmaster and Vibrasonic amps called the “Harmonic Tremolo.”  Essentially, the amp’s signal was split into high frequency and low frequency components, with the output switching back and forth between the two, resulting in a dreamy effect similar to the Uni-Vibe.  The 3 Series Harmonic Trem allows you to utilize Leo Fender’s revolutionary effect in a package much easier to tote than a vintage amplifier.  Toggle up is a great sounding amp trem, while toggle down is our take on harmonic trem effect.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTHE JHS PEDALS 3 SERIES HARMONIC TREM RUNS ON 9V DC NEGATIVE CENTER POWER AND CONSUMES 65 MA.  LENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h3\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319771205732,"sku":"3SHT","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHS-Pedals-3Series-Harmonic-Trem-Front.png?v=1698426927"},{"product_id":"3-series-phaser","title":"3 SERIES PHASER","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe 3-Series Phaser is a versatile and easy to use six-stage phaser pedal inspired by the classic phaser circuits of the 1970s. It has all the standard phase tones you would expect, but because of its unique Blend control and Feedback toggle, you can achieve an even wider range of modern and experimental tones. The JHS Pedals 3 Series Phaser runs on 9V DC Negative Center power and consumes 70mA.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319772614756,"sku":"3SPH","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHS-Pedals-3-Serires-Phaser-Front.png?v=1698427894"},{"product_id":"3-series-chorus","title":"3 SERIES CHORUS","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe JHS Pedals 3 Series Chorus offers classic chorus and vibrato modulation sounds, with straightforward controls and enough versatility for any style of music. The Rate and Depth knobs work together to deliver anything from subtle doubling to utterly seasick waves of modulation. The Vibe toggle removes the dry signal so that you will have a simple true pitch vibrato sound without the dry signal underneath. The JHS Pedals 3 Series Chorus runs on 9V DC Negative Center power and consumes 70mA\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319773991012,"sku":"3SCH","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHS-Pedals-3-Series-Chorus-front.png?v=1698427083"},{"product_id":"3-series-compressor","title":"3 SERIES COMPRESSOR","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. The JHS Pedals 3 Series Compressor runs on 9V DC Negative Center power and consumes 8mA.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319776350308,"sku":"3SCM","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHS-Pedals-3-Series-Compressor-front.png?v=1698427156"},{"product_id":"3-series-delay","title":"3 SERIES DELAY","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Delay lets you choose between rich and warm or clear and pristine echoes. The straightforward design is simple and easy to use while offering a huge range of options. The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay. The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. The JHS Pedals 3 Series Delay runs on 9V DC Negative Center power and consumes 71mA.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319784018020,"sku":"3SDL","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHS-Pedals-3-Series-Delay-front.png?v=1698427313"},{"product_id":"3-series-distortion","title":"3 SERIES DISTORTION","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position. The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. This switch plays a big part in how the pedal responds to your playing and touch dynamics. The JHS Pedals 3 Series Distortion runs on 9V DC Negative Center power and consumes 9mA.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319790080100,"sku":"3SDT","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHS-Pedals-3-Series-Distortion-front.png?v=1698427388"},{"product_id":"3-series-fuzz","title":"3 SERIES FUZZ","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. The JHS Pedals 3 Series Fuzz runs on 9V DC Negative Center power and consumes 9mA.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319791095908,"sku":"3SFZ","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHS-Pedals-3-Series-Fuzz-front.png?v=1698427447"},{"product_id":"3-series-overdrive","title":"3 SERIES OVERDRIVE","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. The JHS Pedals 3 Series Overdrive runs on 9V DC Negative Center power and consumes 12mA.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319792210020,"sku":"3SOD","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHS-Pedals-3-Series-Overdrive-front.png?v=1698427542"},{"product_id":"3-series-octave-reverb","title":"3 SERIES OCTAVE REVERB","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn the early 1980s, Brian Eno invented an effect called “Shimmer,” which was popularized in U2’s \u003cem data-mce-fragment=\"1\"\u003eThe Unforgettable Fire \u003c\/em\u003e(1984). The effect mixed ambient reverb and octave effects in the reverb’s decay.  The 3 Series Octave Reverb is our take on this classic effect that has been used for decades to allow the guitar to create pads and textures that fill out ambient space.  Toggle up layers in upper octave sounds, while toggle down layers in lower octave sounds.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTHE JHS PEDALS 3 SERIES OCTAVE REVERB RUNS ON 9V DC NEGATIVE CENTER POWER AND CONSUMES 65 MA. LENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319795880036,"sku":"3SOR","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHS-Pedals-3Series-Octave-Reverb-Front.png?v=1698427649"},{"product_id":"3-series-reverb","title":"3 SERIES REVERB","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Reverb is an extremely versatile unit that allows you to create the perfect amount of space for your guitar. You can achieve any reverberation effect, all the way from small room sounds to nearly endless washes of ambiance. The EQ lets you perfectly adjust for a bright or dark texture to the reverb's overall tone. The Pre-Delay toggle allows you to select a short delay before the reverb begins. This lets you explore effects ranging between slap-like singing in the shower sounds and spacey sounds. The JHS Pedals 3 Series Reverb runs on 9V DC Negative Center power and consumes 74mA.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319800238180,"sku":"3SRV","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHS-Pedals-3-Series-Reverb-front.png?v=1698427738"},{"product_id":"3-series-screamer","title":"3 SERIES SCREAMER","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe 3-Series Screamer is the beloved JHS Tube Screamer “Strong Mod”, but in a brand-new $99 pedal. This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package. You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response. This may be the most well-balanced Tube Screamer on earth, but that’s for you to decide. The 3 Series Screamer runs on 9V DC negative center power and consumes 12mA.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319800598628,"sku":"3SSC","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHS-Pedals-3Series-Screamer-Front.png?v=1698427823"},{"product_id":"clover","title":"CLOVER","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePREAMP \/ EQ\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn early 1984 BOSS released two strange new devices under the name “The Pocket Series”. One of those devices was the FA-1 FET Preamp and it quickly found its rightful place among the legends of tone when The Edge of U2 used it on the recording of “Unforgettable Fire” as well as placing it in his following touring rigs. The Clover Preamp\/Boost is our faithful interpretation of the FA-1 but with several additional features that we believe make this amazing circuit even better. You won’t want to be without your lucky tone-shaper at any gig!\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Clover has four standard controls and one rotary switch on the top. The Volume control allows you to set your volume at unity or as a boost to push your amp or dirt pedals. There are three EQ controls to give you tons of control to cut or boost Bass, Mids, and Treble. The rotary switch has three settings: Full EQ, No Mid, and No EQ. When set to Full EQ all three EQ controls are in operation, giving you full control over the full range of EQ available. The No Mid setting is an exact replica of the original FA-1, removing the ability to control the Mids and leaving them in a fixed setting. When in the No EQ mode all the EQ settings are removed and the Clover becomes a straight FET boost, perfect for pushing an amp. On the right side of the pedal there is a Low Cut dip switch. This removes some of the lows if you feel your tone is too muddy and can help you cut through a mix.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eXLR OUTPUT CAPABILITIES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn addition to the standard 1\/4” input and output, the Clover has an XLR output for using as an acoustic or bass preamp. These can be used individually or simultaneously if you want to go to a sound board or interface as well as an amplifier. The XLR output was designed with acoustic and bass players in mind as the Clover is a wonderful preamp that gives you a great amount of control over your sound. There is also a ground lift if you experience some hum when using the XLR output.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEND ALL BE ALL\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Clover is an end all preamplifier \/ boost circuit for any electric, acoustic, or bass player. The EQ is simple, powerful and doesn’t allow a bad sound. No matter what style of music you play or amp that you use, the Clover will prove to be an indispensable tool.  While the Clover excels at being a preamp \/ boost for dirt pedals, the magic is in pushing your tube amplifier into natural overdrive. The EQ lets you hit the exact spot that your amp is naturally prone to give in at. Push your small wattage amp into natural rich overdrive and distortion or find sounds in your larger more powerful wattage amp that you have never heard before. Strat and Tele players can use the Clover to create extra punch, depth and dynamics that single coil pickups can’t normally achieve, while Les Paul and humbucker players can find clarity, bite and definition galore! From country, rock, metal and even acoustic… The Clover covers every base. Find your unforgettable tone with the luck of the Clover!\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eIN-DEPTH SPECS:\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe XLR output is identical to the 1\/4” output.\u003cbr data-mce-fragment=\"1\"\u003eHas up to +24dB of gain (X16.4) (EQ Flat).\u003cbr data-mce-fragment=\"1\"\u003eTreble +\/- 15dB shelving filter at 10kHz\u003cbr data-mce-fragment=\"1\"\u003eMiddle +\/- 15dB peaking filter at 1.3kHz\u003cbr data-mce-fragment=\"1\"\u003eBass +\/- 15dB shelving filter at 270Hz (3dB freq)\u003cbr data-mce-fragment=\"1\"\u003eLo cut engaged -3dB point at 212Hz\u003cbr data-mce-fragment=\"1\"\u003eInput impedance \u0026gt;1M ohm\u003cbr data-mce-fragment=\"1\"\u003eOutput impedance = 520ohms\u003cbr data-mce-fragment=\"1\"\u003eCurrent draw at idle = 45.5mA\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 45.5MA, AND MEASURES 2.6\"X4.8\"X1.6\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319806300260,"sku":"CV","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsClover.png?v=1698428142"},{"product_id":"artificial-blonde","title":"ARTIFICIAL BLONDE","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-6701c69907e8074f3a48\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"sqs-block-content\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"sqs-html-content\" data-mce-fragment=\"1\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMADISON CUNNINGHAM\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSIGNATURE VIBRATO\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWhen Madison recorded her second full-length album, \u003cem data-mce-fragment=\"1\"\u003eWho Are You Now\u003c\/em\u003e, her producer Tyler Chester was already in contact with us about getting a few modulation pedals to develop her new foundational sound. Madison ended up heavily using the JHS Emperor Chorus \/ Vibrato as her foundational and always on signature sound throughout those sessions.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block image-block sqs-block-image sqs-col-2 span-2 float float-right sqs-text-ready\" data-block-type=\"5\" id=\"block-yui_3_17_2_1_1665513307106_7168\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"sqs-block-content\" id=\"yui_3_17_2_1_1698428168438_95\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"image-block-outer-wrapper\n          layout-caption-below\n          design-layout-inline\n          combination-animation-none\n          individual-animation-none\n          individual-text-animation-none\n         sqs-narrow-width\" data-test=\"image-block-inline-outer-wrapper\" id=\"yui_3_17_2_1_1698428168438_94\" data-mce-fragment=\"1\"\u003e\n\u003cfigure class=\"sqs-block-image-figure\n              intrinsic\" id=\"yui_3_17_2_1_1698428168438_93\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"image-block-wrapper\" data-animation-role=\"image\" id=\"yui_3_17_2_1_1698428168438_92\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"sqs-image-shape-container-element\n              \n          \n        \n              has-aspect-ratio\" id=\"yui_3_17_2_1_1698428168438_91\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigcaption class=\"image-caption-wrapper\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"image-caption\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/figcaption\u003e\n\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-yui_3_17_2_1_1665513307106_55692\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"sqs-block-content\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"sqs-html-content\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eOver the next few years, Madison and Josh became good friends after Josh featured her on the JHS Show episode “Who Is Madison Cunningham?” Josh would often stop by her concerts as an unofficial guitar tech, building her boards and helping find solutions for sounds she wanted. During a sound check in Lawrence, KS, Josh noticed that even though her Emperor was always on and in vibrato mode, Madison kept reaching down to switch the settings to create another faster and deeper vibrato tone for a particular song. Sensing an opportunity to make it easier to use during live shows, Josh developed the idea for an entirely new stompbox that suited Madison’s needs, and soon she was touring with that first prototype.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eMadison traveled doing live shows and sessions for her new album with the prototype for a full year (you may recognize it as the black nondescript stompbox labeled “BLONDE?”), but we’re releasing it officially as the newest member of the JHS lineup and as Madison Cunningham’s signature pedal: the Artificial Blonde.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eAt its core, the Artificial Blonde is a very simplistic approach to Madison’s signature sound: a never off, always on, slightly 3D pitch vibrato sound. The secondary footswitch switches between the two speed\/depth preset sections. It’s a true pitch vibrato modulation pedal with two easy-to-access modes for live use. Simply put, this \u003cem data-mce-fragment=\"1\"\u003eis \u003c\/em\u003eMadison Cunningham in a box: just add a clean Fender-style amp and tune your guitar strings down!\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVOLUME -\u003c\/strong\u003e Controls the overall volume of the pedal. Left is less, right is more.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEQ -\u003c\/strong\u003e The EQ control is an active tilt EQ. Noon is flat. Turning to the left boosts lows and cuts highs, while turning to the right boosts highs and cuts lows.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSPEED -\u003c\/strong\u003e Controls the rate of the vibrato. Left is slower, right is faster.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDEPTH -\u003c\/strong\u003e Controls the depth of the vibrato. Left is less, right is more.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eINPUT -\u003c\/strong\u003e 1\/4” jack on the top right receives your instrument’s signal.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOUTPUT MONO\/STEREO –\u003c\/strong\u003e 1\/4” jack outputs. Use the MONO output for a mono signal path or use both the MONO and STEREO output jacks for a 3D stereo soundscape.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePOWER -\u003c\/strong\u003e Uses 9V DC Negative Center. Do not use more than 9V DC. Damage may occur and your warranty will be voided.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBYPASS -\u003c\/strong\u003e Left footswitch turns the effect on and off. When off, the pedal is buffered bypass and both outputs pass the normal dry signal.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePRESET –\u003c\/strong\u003e Right footswitch changes the preset to A or B. On power up the default is preset B.  Each preset has the same speed and depth range and allows you to create two different switchable settings.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDALS MEASURES 4.7” X 3.5” X 1.5” AND CONSUMES 138MA\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e LEARN MORE ABOUT MADISON –\u003ca href=\"http:\/\/www.madisoncunningham.com\/\" data-mce-fragment=\"1\"\u003e WWW.MADISONCUNNINGHAM.COM\u003c\/a\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319810429028,"sku":"ARB","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/ArtificialBlondeFront.png?v=1698428269"},{"product_id":"haunting-mids","title":"HAUNTING MIDS","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePREAMP \/ EQ\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eAre you on the search for scary good tone? Does your spine tingle at the thought of a tone that can cut through any mix like a butcher’s knife? Do you have nightmares about muddy guitars that lack clarity and create phantom lead lines that no one can hear? Well, don’t stand there frozen by fear, we here at JHS Pedals have a pedal that gives you the tone that has long eluded your white knuckled grasp: the Haunting Mids. The Haunting Mids is a frightfully effective Sweepable-Mids EQ Preamp that can turn any amp or pedal into a ghastly monster.  With it’s ability to sweep mids and then boost or scoop them, you can find the tone that haunts your imagination. \u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCONTROLS \u0026amp; FEATURES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe controls on the Haunting Mids are Volume, Mids, Sweep, and a Lo\/Hi toggle. The Volume acts as a standard volume control to be able to set at unison or boost the signal. The Mids and Sweep controls work very closely together so you can find the perfect frequencies to boost or scoop mid frequencies. When the Mids knob is at 12 o'clock, no frequencies are boosted or scooped.  Turning the Mids knob to the left of 12 o'clock will begin to scoop out midrange frequencies, while turning the Mids knob to the right of 12 o'clock will begin to boost midrange frequencies. The Sweep knob controls what frequencies will be affected.  Sweep knob to the left will cause low-mids to be affected, while Sweep knob to the right will cause hi-mids to be affected.  The Lo\/Hi toggle is like a \"Q\" function and controls how sharp the frequency peak is that you’re affecting with the Mids knob.  \"Lo\" is a softer and wider peak for slightly subtler effect as you tweak the Mids\/Sweep knobs.  \"Hi\" is a sharper and steeper peak giving you a very pointed and defined effect as you tweak the Mids\/Sweep knobs.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThis pedal is fantastic on an almost-breaking-up amp to send it into midrange tube driven heaven, or with an overly scooped distortion to give you the bite you need to cut through with every \"djent,\" blues lick, rock riff, or lead line. It's also excellent for taming an overly mid-heavy amp or pedal rig.  The Haunting Mids is not an overdrive pedal, it’s a Mids pedal that when paired with an overdrive, will make you scream for more of this friendly ghost.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e– Simple yet effective tool to boost\/cut the perfect amount of midrange frequencies.\u003cbr data-mce-fragment=\"1\"\u003e – Sweepable midrange frequency to find the perfect EQ to slice through any mix.\u003cbr data-mce-fragment=\"1\"\u003e – Turn any amp or pedal into a totally different ghastly monster.\u003cbr data-mce-fragment=\"1\"\u003e – Don’t forget the Volume BOOOOOOst.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eSo go and wake the undead with the ghostly sounds of the Haunting Mids! \u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSPECS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Will boost +10dB with EQ flat\u003cbr data-mce-fragment=\"1\"\u003e - Total Harmonic Distortion 0.007%\u003cbr data-mce-fragment=\"1\"\u003e - Signal to noise ration 83dB\u003cbr data-mce-fragment=\"1\"\u003e - +\/- 15dB boost or cut\u003cbr data-mce-fragment=\"1\"\u003e - Sweepable center frequency from 400Hz to 7.5kHz\u003cbr data-mce-fragment=\"1\"\u003e - Switchable Q (LO-gentle broad, HI-peaking tight)\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 13MA, AND MEASURES 2.6\"X4.8\"X1.6\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319819178084,"sku":"","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsHauntingMids.png?v=1698429818"},{"product_id":"pg-14","title":"PG-14","description":"\u003cmeta charset=\"UTF-8\"\u003e \u003cbr\u003e\n\u003ch2\u003e\u003cstrong\u003ePAUL GILBERT ARTIST SIGNATURE MODEL\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eJHS Pedals is proud to release the Paul Gilbert signature distortion \"PG-14!” This is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThis circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low\/moderate volume levels.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eALL THE MIDS CONTROL!\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eA second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe PG-14 is an end-all pedal for adding the ultimate dirt channel to your amplifier. A bonus feature is that it gives you all of Paul Gilbert's talent, decades of experience, and countless years of practice!  Just hit the footswitch!\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 36MA, AND MEASURES 2.2\"X4.8\"X1.6\".\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319819898980,"sku":"PL","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsPG-14.png?v=1698429966"},{"product_id":"charlie-brown-v4","title":"CHARLIE BROWN V4","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOVERDRIVE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eEvery guitarist loves the sound and feel of a Marshall JTM45 amp head. And with the JHS Pedals Charlie Brown V4 amp-in-a-box, you can put that same thick, chewy, old-school rock tone onto your pedalboard. In fact, we even outfitted the pedal with a Marshall-style 3-band tone stack to achieve a tone that would please Clapton himself. Whether you’re trying to replicate classic Clapton, the character of Hendrix’s cranked walls of Marshalls, or Gary Moore’s higher-gain sound, they’re all waiting for you in the Charlie Brown V4. Grab one today, and turn your rig into a legendary JTM45.\u003c\/p\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eVINTAGE BRITISH CRUNCH FOR YOUR PEDALBOARD\u003c\/strong\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eMore and more, guitarists like you are leaning on pedals to supply their overdriven tones. They need stompboxes that will completely change the character of their amplifiers on a dime. For vintage crunch and British attitude, there simply isn’t a better pedal than our Charlie Brown V4.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Turns any amp into a gritty JTM45 stack\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Go from sixties-style crunch to thick and liquid rock tones with a twist of the Drive knob\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Drive and Volume control interact the same as a master volume amp head\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Back off your guitar’s volume to control your gain levels without losing clarity\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMARSHALL-STYLE TONE STACK\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eTo really nail the ultimate JTM45 tone, we added Marshall-style control to the Charlie Brown V4 overdrive. Now, not only will this pedal mate perfectly with your current clean amp tone, but you’ll be able to find the exact JTM45 sound you need for your application. And because the Charlie Brown reacts just like a classic tube amp, it’s even a perfect candidate for stacking with another overdrive.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Fine-tune your tone with controls for Bass, Middle, and Treble\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Active controls boost and cut their selected frequencies\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Stacks beautifully with overdrive pedals for even more shades of grit\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e V1 = Larger enclosure; no Charlie icon.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e V2 = Changed to current enclosure size; diamond knob layout.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e V3 = Slightly different Drive Control and gain structure than V2.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e V4 = Color changed to yellow; added three-band tone stack; five controls total; U-shaped knob layout.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 9MA, AND MEASURES 2.6\" X 4.8\" X 1.6\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319820652644,"sku":"CB","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsCharlieBrownV4.png?v=1698430052"},{"product_id":"unicorn-v2","title":"UNICORN V2","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUNI-VIBE* \/ VIBRATO\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eIn 2015 we brought you the Unicorn V1, the world's first bulb-driven photocell modulator with tap tempo, the JHS Uni-Vibe. As of Spring 2018, we are proud to bring you the Unicorn V2!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003ePink Floyd’s “Breathe,” Jimi Hendrix’s live Woodstock performance of “The Star-Spangled Banner,” and Robin Trower’s “Bridge of Sighs” cemented the sound of a photocell-based vibe effect as an electric guitar standard. The JHS Pedals Unicorn is our version of this heralded effect, continuing the inspiring modulation\/phasing\/rotary sounds that never fail to push musical boundaries. And just like the originals, we included a toggle for choosing between a Uni-Vibe* effect and a traditional vibrato setting. What sets Unicorn apart from all other vibe-style circuits is that it is the first-ever fully analog, photocell-based vibe with tap tempo as well as ratio, external tap control, and external rate control via expression pedal (optional). And the Unicorn does it all with only four knobs and a mini-toggle switch. In a day and age when everything has been seen and done, we bring you the first-ever, 100% analog vibe photocell modulator with onboard tap tempo. You’re welcome.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSOUNDS AS GOOD AS YOU REMEMBER\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe Unicorn is bursting with all the lush and washy pulsations that changed what the electric guitar could sound like in the 1960s. And this is no digital emulation. The Unicorn sports the real-deal, analog photocell topology of the original units.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e- Sounds like the original because it’s built like the original\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e- All-analog signal path delivers a warm, touch-sensitive tone\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e- Dry\/Wet toggle selects between a Uni-Vibe* and vibrato effect\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eIN-DEPTH TEMPO CONTROL\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThere are other analog vibe pedals and there are pedals with tap-tempo control, but-- if you’ll indulge us in a brief humble brag --the JHS Unicorn is the first to put ‘em together. Add optional external speed control and a ratio knob that determines the rhythmic subdivisions (or as we like to say, how much fairy dust enters into the flux capacitor of the Unicorn) and you have one of the most versatile vibe pedals on the market.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e- Control the rate of the effect with the Speed knob or onboard tap-tempo footswitch\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e- Want quarter note, dotted eighth, or triplet rhythms? They’re all found on the Ratio knob\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e- LED indicator notifies you of the effect’s tempo, even when disengaged\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEXTERNAL TEMPO AND EXPRESSION CONTROL\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eBut wait, there’s more! One of the things that makes the vintage Shin-ei* Uni-Vibes* so desirable is your ability to control the effect’s rate in real time with an external expression pedal. How could we not include that!? And to go one step further, you can slave the pedal to other tap-controlled pedals for rhythmic consistency across all your effects.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e- Internal Tap\/Expression mini switch controls the side-mounted Tap\/Exp TRS jack\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e- Expression pedal control of the Unicorn’s rate in the Exp setting\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e- Use an external source to control the rate in the Tap Out setting (which coincidentally works great with our Panther Cub Delay and Emperor Chorus pedals)\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCOULDN’T BE EASIER TO USE\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eOne of the things we’re most proud of with the Unicorn Uni-vibe* Photocell Modulator is how easy it is to dial up the exact pulse of a mystical Unicorn running across a field of 4-leaf clovers…but only if you dare.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e- Four knobs and a mini toggle are all you need for a world of syrupy, modulated tones\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e- Left two controls are your tone, right two controls are your speed, toggle is your effect. It’s that simple.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eV1 = Larger enclosure.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eV2 = Smaller enclosure.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 100MA, AND MEASURES 2.2” X 4.8\" X 1.6\".\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319820783716,"sku":"UNI","price":219.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/UNIupdate.png?v=1757539029"},{"product_id":"angry-charlie-v3","title":"ANGRY CHARLIE V3","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOVERDRIVE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Angry Charlie has become a staple of the JHS line over the years, and it’s a force to be reckoned with in the high-gain pedal territory. Its ability to convincingly and accurately breathe JCM800 tones into any rig has made it a popular choice for guitarists of all genres. And unlike many other British amp-in-a-box pedals, the Angry Charlie V3 sports a 3-band tone stack, just like the Marshalls, helping nail those warm yet searing tones and boundless sustain. If you are a glutton for high-gain overdrive\/distortion that has a British flavor, the Angry Charlie V3 will change your life. Well, your gear life.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFURIOUS-SOUNDING AMP IN A BOX\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eTurn the Drive control down, and you might be surprised how bluesy and vintage-like this pedal sounds. But through its different versions, our Angry Charlie distortion has always been one of the more aggressive British amp-in-a-box pedals out there. Either way, you’ll be injecting your amp with the grit and attitude of the UK amplifier heads that gave rock ‘n’ roll its teeth.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Turns any amp into a screaming Marshall stack\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Go from bluesy Hendrix-like breakup to high-gain Brit tones with a twist of the Drive knob\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Drive and Volume control interact the same as a master volume amp head\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Back off your guitar’s volume to control your gain levels without losing clarity\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMARSHALL-STYLE TONE STACK\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eAfter a couple of extremely well-received versions of the Angry Charlie, we realized that to really nail the ultimate Marshall-style tone, we had to add Marshall-style control, so we gave you a finely tuned Marshall-style 3-band EQ. Enjoy!\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Fine-tune your tone with controls for Bass, Middle, and Treble\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Active controls boost and cut their selected frequencies\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY:\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e V1 = Larger enclosure and three controls; no Presence Control.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e V2 = Changed to current production size enclosure; diamond knob layout; Presence\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eControl added.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e V3 = Color change to red; added three-band tone stack; five controls total; U-shaped knob layout.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHIS PEDAL USES 9V TO 18V NEGATIVE CENTER. THIS PEDAL CAN BE RUN AT 18V FOR MORE HEADROOM AND GREATER DYNAMICS. DO NOT USE MORE THAN 18V DC. MEASURES AT 2.6\" X 4.8\" X 1.6\".\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319821144164,"sku":"AC","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsAngryCharlieV3.png?v=1698430243"},{"product_id":"at","title":"AT+","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eANDY TIMMONS SIGNATURE OVERDRIVE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn 2016 we brought you Andy Timmons’ artist signature pedal, the AT or @, and we're really proud to bring you the next iteration of this phenomenal stomp box: The AT+.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals AT is Andy Timmons’ signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got in touch with Josh Scott about modifying it for his needs. By collaborating to tailor the pedal to Andy’s tastes, the “@“ was born and released in 2016. This pedal gives you all the soaring overdrive and distortion that you hear from Andy with plenty of options to craft your tone with your rig.  So pay ATtention and we’ll see what makes the AT rock.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDOES THE AT+ SOUND THE SAME AS THE ORIGINAL AT?\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eYes!  The drive channel of the AT+ is identical to our original AT pedal.  No changes were made whatsoever and the controls remain the same. They include Volume, EQ, Drive, Air, and a three-way toggle for 25-watt, 50-watt, or 100-watt modes. The Volume gives you plenty of headroom to play with, while the Drive control has a wide range from high gain blues to thunderous distortion. The tone controls work together to give you the ability to shape your tone and sit perfectly in a mix. The EQ works as a standard bright\/dark tone control, while the Air control rolls in top end like a presence control so you can have just the right amount of brightness for articulation and clarity. The three-way toggle gives you the feel of different amplifier wattages. The up position is the 25-watt setting with the most compression and saturation and the least amount of volume. The down position is the 50-watt setting for a good balance of compression and openness. The middle position is the 100-watt position for tons of volume and open crunch while being less focused.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTWO CHANNELS ARE BETTER THAN ONE!  \u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eNew to the AT+ is an independent foot-switchable Boost, essentially creating a second channel and gain stage for the pedal. The boost side of the AT+ is a slightly dirty and overdriven pre-boost that allows you to hit the front end of the AT drive channel and achieve more saturation and definition for applications where you need more. Since the Boost is independent, it can be used alone to drive your amp or other drive pedals in conjunction with the AT+ drive channel.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV1 = Diamond shape knob layout; single foot switch.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV2 = “AT+” U-shaped knob layout; two foot switches; limited edition AT+ pedals also come in a black colorway.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 15MA, AND MEASURES 2.2\" X 4.8\" X 1.6\".\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHE AT+ CAN BE SAFELY RUN ON 18 OR 9 VOLTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eYOU CAN SAFELY RUN THE ORIGINAL (V1) “AT“ ON 18 OR 9 VOLTS\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319822717028,"sku":"AT","price":219.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/AT.png?v=1753371578"},{"product_id":"crayon","title":"CRAYON","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePREAMP \/ DISTORTION \/ FUZZ\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLITTLE BROTHER TO THE COLOUR BOX\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals Colour Box began with a simple idea: create a pedal that sounds like plugging directly into a vintage preamp and cranking it. No amp, no speaker, just DI goodness. Well, the Colour Box became much more as we got into designing it. Thus we decided it was time to pare it down and give guitar players and bass players a simplified version that gives you the distinct compressed overdrive and fuzz sounds you’ve heard on so many classic recordings. The Crayon is just that, a powerful little box that has all the color and characteristics of a vintage studio preamp when cranked.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Crayon has controls for Master, Pre-Vol, Tilt, and a Hi-Pass toggle. The Master volume controls the overall volume of the unit, while the Pre-Vol acts as a gain control to go from a gritty preamp drive to over-the-top gated fuzz. These controls work together to create a ton of colorful tones that are extremely useful. The Tilt control is an active EQ where when set at 12 o’clock you have a flat EQ, while turning clockwise boosts highs and cuts bass, and turning counterclockwise boosts bass and cuts highs. This gives the Crayon the ability to be tailored to any rig for bass or guitar. The Hi-Pass toggle cuts your low end with a flick of the switch for the ability to cut through the mix or get lo-fi sounds. There is a dip switch on the right side of the pedal to choose either 200Hz or 750Hz cut for the Hi-Pass. \u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Preamp DI tones from low gain grit to gated fuzz.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Active EQ for the perfect tones on bass or guitar.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Hi-Pass for lo-fi AM radio sounds.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Paint with all the colors of the wind.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals Crayon is without a doubt the brightest crayon in the box that will give your tone all the color you need!\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 15MA, AND MEASURES 2.6\"X4.8\"X1.6\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319837134948,"sku":"CY","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsCrayon.png?v=1698431282"},{"product_id":"cheese-ball","title":"CHEESE BALL","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDISTORTION \/ FUZZ\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eLong ago in a mysterious time that we call the 1990's, a new pedal company was created in England. Its ideas were off the beaten path, and its sounds were otherworldly. Despite existing only a few short years, these creations became the things of legend and one product in particular cast the biggest shadow. With such artists as The Edge (U2), Jimmy Page, Radiohead, Kevin Shields (My Bloody Valentine), Jeff Tweedy (Wilco), Gary Moore, and many others using the out-of-production units, their Used market prices have begun to rise more and more, sometimes into the $800 range. The Cheese Ball is our faithful and extremely accurate recreation of the original circuit, it is a tribute to one of the most fascinating brands and circuits of all time!\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Cheese Ball has your standard Volume, Gain, and Tone knobs found on most distortion fuzz boxes, but comes with an extra mode selector knob that gives you four different overall tone and gain selections.  In the “off” position, the Tone knob is disengaged, giving you a bright and trashy fuzz\/distortion sound. In the “1” position you have a mid-scooped sound that will give you a Big Muff style buzz for a rounded sound reminiscent of fine mozzarella that sits just right on your pizza but doesn’t get in the way. The “2” position is a mid-boost sound that will cut through a mix like a hot knife through Velveeta. Finally, the “3” position gives you a biting, gated fuzz tone that, when cranked, spits, spats, and bites like gorgonzola naturale.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Cheese Ball is our homage to one of the most excellent fuzz\/distortion pedals ever created. Rediscover the finest aged cheese in the pedal world.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 9MA, AND MEASURES 2.6\"X4.8\"X1.6\".\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319838838884,"sku":"","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsCheeseBall.png?v=1698431384"},{"product_id":"emperor-v2","title":"EMPEROR V2","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCHORUS \/ VIBRATO\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eIn 2014 we brought you the Emperor V1, a 100% Analog Chorus\/Vibrato with Tap Tempo. Now in 2018 we are proud to bring you the Emperor V2!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThere are two ways to look at the JHS Pedals Emperor Analog Chorus\/Vibrato pedal. The Emperor V2 is a vintage-correct effect that absolutely nails the hard-to-find sound of the Arion SCH-1...but it's also a do-it-all modulation solution whether you want a subtle sheen, convincing rotary simulation, or seasick vibrato. It utilizes a Bucket Brigade 3207 chipset to deliver the warmth of ‘80s-style analog chorus pedals and we've added enough onboard and outboard control to put you in command of every aspect of the Emperor’s voice. Whether spreading its warm tones or icy sheen to a pristine-sounding stereo rig, or utilizing an external expression pedal to cop realistic rotary speaker sounds on a blues gig, the Emperor can do it all.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSO MUCH MODULATION\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eWe call the Emperor an analog chorus\/vibrato. That’s just because calling it a true analog chorus\/pitch vibrato with tap tempo\/waveform selection\/rotary speaker simulation\/true stereo output\/and more pedal would have been a pain to write every time.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e- The glorious tones of a real-deal, 3207 chipset bucket brigade topology\u003cbr data-mce-fragment=\"1\"\u003e- Mini toggle switch selects between chorus and vibrato effects\u003cbr data-mce-fragment=\"1\"\u003e- Three available waveform types (sine, square, and triangle)\u003cbr data-mce-fragment=\"1\"\u003e- Intuitive controls for Volume, EQ, Speed, and Depth\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUPDATED TONE SHAPING CAPABILITIES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eMaking a good thing better? Yes please. The Emperor V1 had a Tone control which has now become the EQ control in the Emperor V2. We've replaced the passive tone control in the V1 with an active EQ control that functions as a Tilt. You'll now have much more tone shaping capability in the V2. The overall EQ control is much improved in the Emperor V2 and you will not lose any low-end sometimes commonly found with chorus\/vibrato pedals.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eIN-DEPTH TEMPO CONTROL\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eTo control the rate of the Emperor’s effect, simply turn the Speed knob up and down or tap the tap tempo footswitch. Or for the more adventurous among us...plug in an expression pedal for variable control in real time. And you can even slave the pedal to other tap-controlled pedals for rhythmic consistency across all your effects.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e- Control the rate with the onboard Speed knob or tap tempo footswitch\u003cbr data-mce-fragment=\"1\"\u003e- Tap\/Exp mini switch on the left side of the pedal controls the side-mounted Tap\/Exp TRS jack\u003cbr data-mce-fragment=\"1\"\u003e- Use an external source to control the rate in the Tap Out setting (works great with our Panther Cub Delay and Unicorn pedals).\u003cbr data-mce-fragment=\"1\"\u003e- LED indicator notifies you of the effect’s tempo, even when disengaged\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eA FEW EXTRAS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eYou knew we would throw in a few extra features for you, didn’t you? Of course we did. When designing the Emperor, we conveniently and inconspicuously tucked in stereo output and the ability to select between buffered or true-bypass operation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e- Plugging TRS splitter cable into the output jack is all it takes to wring true stereo output from the Emperor\u003cbr data-mce-fragment=\"1\"\u003e- Internal switch changes from buffered to true-bypass operation**\u003cbr data-mce-fragment=\"1\"\u003e- High-quality buffer helps drive long cable runs and in-depth pedal setups while restoring high-end loss\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 57 MA, AND MEASURES 2.6\"X4.8\"X1.6\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319840149604,"sku":"EMP","price":219.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/EMPupdate.png?v=1757596116"},{"product_id":"kodiak","title":"KODIAK","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTREMOLO\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe JHS Pedals Kodiak tremolo is the newest addition to our tap-tempo series featuring all the bells-and-whistles you need to create the biggest tremolo growl you’ve ever heard!  Based around classic Vox and Black Face tremolo sounds, the Kodiak brings vintage tremolo into the modern era with four different wave patterns, Mix, onboard tap-tempo, and sub-divisions to give you total control as well as plenty of inspiration to bring your sound out of hibernation.  Let’s take a look at all the features this brown beast bears... \u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCONTROLS \u0026amp; FEATURES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe Kodiak has five simple controls: Volume, Speed, Mix, Ratio, and Wave. The Volume control enables you to set the overall volume however you like it, either dialed back, at unity, or boosted.  A great feature of the Kodiak is that you can turn the Mix knob all the way down and use the Volume to boost your amp or other pedals, acting as a preamp or slightly driven boost. The Speed knob is a manual control for the speed of the tremolo, which you can also set with the on-board tap-tempo switch. The Mix knob controls how deep the tremolo is perceived, from fully clean to fully wet. The Ratio control gives you the ability to dial in faster speeds that are perfectly sync'd with the BPM of your tap.  You can choose from quarter notes, eighth notes, \"triplets,\" or sixteenth notes.  The Wave control gives you four different wave variations to choose from: Sine, Rhythmic, Square, and Ramp. The Sine wave is a classic amp-like tremolo sound, the Rhythmic wave gives you an interesting rhythmic pattern that can be used in many different time-signatures for different effect, the Square wave gives you a more choppy trem sound, and the Ramp wave gives you a warbly type of sound. With all these options, sit down, grab a jar of honey, and spend lots of time with your new bear-friend to really get to know what he has to offer.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTAP \/ EXPRESSION JACK\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe Kodiak also features a Tap\/Expression jack on the right side of the pedal. Plug in an external tap tempo or an expression pedal to control the speed of the tremolo. Select either TAP or EXP via the switch on the left side of the Kodiak.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 10MA, AND MEASURES 2.6\"X4.8\"X1.6\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319845097572,"sku":"KD","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsKodiak.png?v=1698431750"},{"product_id":"moonshine-v2","title":"MOONSHINE V2","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eOVERDRIVE \u003c\/strong\u003e     \u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eAre you looking for an overdrive that is not transparent and adds its own character and attitude? The Moonshine V2 is for you. Our Moonshine V2 overdrive is a highly unique and massively tweaked version of the most famous overdrive ever created and housed in a little green enclosure. Blues, rock, country, jazz, and even hardcore\/metal players will find this is an indispensable tool for shaping and creating unique mid heavy tones for almost any need.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCLEAN BLEND\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Moonshine V2 is still the core tone of the version one and retains the simple  Volume, Tone, and Drive knobs.  However on the Moonshine V2 we added a new Clean knob to blend in any amount of clean signal to your tone!\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCONTROLS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe simple 2-position “Proof ” toggle gives you everything from low gain amp-like breakup with powerful colored boost settings to grinding, heavy overdrive that reaches to the very edge of cranked amp distortion. In the down position, you’ll find the highest gain settings, lots of saturation and sustain and the most mid-range goo available. In the up position are the more open and forceful crunchy tones that will make any amp beg for mercy. The up position also adds more overall volume and more headroom to those searching for cleaner applications.  The tone control goes down as smooth as Grandpa’s White Lightning, with none of the harsh ice-pick characteristics that many overdrives often have in the brighter settings.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCHARGE PUMP\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eJust like our SuperBolt pedal, the Moonshine uses an internal 9V to 18V charge pump that allows it to run on normal 9V but converts it internally to 18V for an enormous amount of headroom, added low-end, and more overall punch.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWe wouldn’t be surprised if this is the most girthy, thick overdrive you have ever plugged into. If you’re a fan of stacking overdrives, you’ll love putting this in front of or behind your favorite drive, booster, or fuzz. The Moonshine delivers on any style amp, easily producing anything from SRV classic Stratocaster\/ Fender amp tones with class to huge “wall of rock”\/The Edge-style force through a Vox.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDUMBLE-ESQUE\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eOn another note, you might find a few Dumble-esque lead settings that will have you feeling like you saved a cool $100,000 in search of that sacred tone. It also kills on bass guitar, the reason it was originally designed.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV1 = V-shaped knob layout; no Clean Blend Control.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV2 = Square-shaped knob layout; added Clean Blend Control.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 30MA, AND MEASURES 2.2\" X 4.8\" X 1.6\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319845425252,"sku":"","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsMoonshineV2.png?v=1698431893"},{"product_id":"kilt-v2","title":"KILT V2","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOVERDRIVE \/ FUZZ \/ DISTORTION\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWhen we got the opportunity to work with Stu G (legendary guitarist, writer, producer, and founding member of UK band Delirious) we couldn’t pass it up. Right out of the gate Stu G wanted a dirt box that could essentially cover any-and-all ground he needed for his studio work and extensive touring gigs. From that request the Kilt was born, and the V2 has been honed into a compact and versatile tone-machine.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEXPANDORA AT HEART\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Kilt V2 has the same fantastic circuit at the heart of the version one: a heavily tweaked Expandora style dirt box that gives you more tonal options than you might ever be able to use. We use a specifically chosen op-amplifier that offers super low noise, improved slew rate for a smoother structure, and a character that feels even better than the original Expandora. Three toggles enhance the tweakability even further. The cut\/flat toggle gives you the option to cut the low end frequencies to better sit in the mix. When in the “flat” position, the bass response is much beefier than the original Expandora for those heavy guitar riffs or bass grit. The G1 and G2 toggles let you select various forms of distortion via select resistance values that switch in and out in the clipping section of the circuit. This method is very different from typical diode clipping selectors used in drive pedals. This gives you multiple configurations and tonal options, helping the Kilt V2 cover light transparent drive all the way to a wall of fat fuzz\/distortion-- and everything in between.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTOGGLES FOR DAYS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e– When both toggles are down, you are in the lightest gain setting. Amp-like chimey breakup\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e– G1 flipped up adds a touch of drive for more riffy grit\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e– G2 flipped up puts you dangerously close to distortion, with more saturation and sustain for lead tones\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e– Both toggles flipped up sends the Kilt V2 into almost uncontrollable gated fuzz\/distortion that will cut through anything\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV1 = Larger enclosure; two foot switches; independent boost on right side; four knobs\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eand four toggles.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV2 = Smaller enclosure; three knobs and three toggles; Red Remote system added.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 64MA, AND MEASURES 2.6” X 4.8” X 1.6”\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319845785700,"sku":"KT","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsKiltV2.png?v=1698431980"},{"product_id":"active-a-b-y","title":"ACTIVE A\/B\/Y","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSWITCHING UTILITY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals Active A\/B\/Y is the perfect solution when you need to send one signal to two outputs with the ability to choose either output (or both) on the fly.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eJust plug in your instrument cable (or patch cable) into the input, then use the outputs to send signal to any combination of amplifiers, interfaces, mixing board, or anywhere else you want to send your signal. Once hooked up, use the left footswitch to select between A and B channels. When the LED is red, the A channel is engaged. When the LED is green, the B channel is engaged.  Hit the right “Y” footswitch to engage BOTH mono outputs.  Because the Active A\/B\/Y has an output transformer on one of the outputs, there is no need for a ground lift as the transformer eliminates any hum.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Active A\/B\/Y has a high impedance buffered input. The outputs are isolated from each other to eliminate ground loops. The transformer isolated output, the A channel (red LED), has a signal polarity reversal switch that can be used in cases where there is signal cancellation. When the side switch is pushed in, the polarity is inverted. The signal polarity reversal switch only applies to the A channel (red LED). \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWith an output transformer, FET transistors for completely silent switching, the capability to use one or both outputs simultaneously, the JHS Pedals Active A\/B\/Y will be the one pedal that you can never leave home without!\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 47MA, AND MEASURES L 4.42” X W 2.38” X H 1.22”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHE ACTIVE A\/B\/Y IS DESIGNED TO WORK WITH INPUT SIGNALS THAT ARE BELOW 14V INPUT GAIN. ANYTHING ABOVE 14V INPUT GAIN WILL CAUSE THE UNIT TO CLIP.\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319855288420,"sku":"ABY","price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHS-Pedals-ABY-SizeEdit_Front.jpg?v=1773064547"},{"product_id":"milkman","title":"MILKMAN","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSLAP ECHO \/ DELAY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals Milkman began with a conversation between Josh Scott and Tim Marcus of Milkman Sound. Tim wanted a pedal that could pair perfectly with the tremolo and reverb on his amps, something that country and Americana players could use as their only pedal if desired. Thus the Milkman was born, a perfect combo of slap delay and clean boost that will give you just what you need and not too much. So pour yourself a big glass and tip it back because the Milkman is about to deliver!\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eFEATURES\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Milkman has two fully independent effects with the boost on the right side and the slap delay on the left. The boost is a fully clean boost that is fantastic to push your amp into natural overdrive or leave on all the time as a preamp. The slap delay has controls for Slap, Mix, Repeat, and EQ. The Slap control adjusts the time of the delay from 0ms, which can create a doubled type effect, to 250ms to give you just enough echo to get some spacious sounds. The Mix control adjusts the volume of the echo. The Repeat control adjusts the number of repeats the delay will give you. The EQ control adjusts the brightness of the repeats to give you the ability to have a darker more ambient sound or a brighter, chirpier sound that cuts through the mix.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eSPECS\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Two fully independent effects in one small footprint.\u003cbr data-mce-fragment=\"1\"\u003e - Boost allows you to have an always-on preamp or send your amp into natural breakup.\u003cbr data-mce-fragment=\"1\"\u003e - Slap delay to give you just the right amount of echo to give your tone the cream on top.\u003cbr data-mce-fragment=\"1\"\u003e - Perfect for slide, country, rockabilly, and Americana.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 27MA, AND MEASURES 2.6\"X4.8\"X1.6\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319856697444,"sku":"MM","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHS-Pedals-Milkman-SizeEdit.jpg?v=1750962603"},{"product_id":"switchback","title":"SWITCHBACK","description":"\u003ch2\u003e\u003cstrong\u003eSWITCHING UTILITY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals Switchback is a small unassuming box with a massive feature set. It began its life as a device that we designed just for ourselves to test and compare pedals in the JHS workshop but we soon realized that it was extremely useful for everyone’s guitar rig on stage or in the studio.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Switchback has one input, one output and two separate selectable effects loops (Send\/Return), plus an A\/B toggle that is controllable by our Red Remote switching system. The foot-switch is 100% true bypass, so when it’s off, it's not affecting your signal in any way. There are millions of ways to use the Switchback (Maybe not a million but… You get the idea) but here are a few of our favorite applications that are incredibly useful!\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003e1. AN A\/B TRUE BYPASS LOOPER\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePlace a pedal or chain of pedals in the first loop and place a different pedal or chain of pedals in the second loop. The toggle\/red remote will allow you to quickly switch between those two loops. This is great for instantly placing different effects chains in and out of your rig on the fly or for shooting out two pedals with zero dead time in-between playing… Find out if that old TS808 sounds better than your TS-9 :-) if you demo different pedals, this is a must have.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e2. A SIMPLE TRUE BYPASS LOOPER\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e Place your pedal or chain of pedals that you want in the first loop. The toggle\/Red Remote will now toggle between the loop with your effects and the clean bypass signal. There’s no need to bridge the second loop with a patch cable as the Switchback automatically bypasses any loop where there’s nothing plugged in to the jack.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e3. AN A\/B BOX\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e Simply use Send 1 and Send 2 to go to two different amps or any other application where you need two switchable outputs, and don’t use the output. Again, using the Red Remote gives you the ability to switch on the fly while playing!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e4. AN AMP INPUT SWITCHER\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e Use Send 1 to channel one and Send 2 to channel two. This allows you to “channel switch” on any amp with multiple inputs like old Marshalls and Fenders!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e5. AN EFFECTS LOOP A\/B\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e Plug your amp's effects loop Send into the input and the amps return into the output. Then toggle between the two loops of the Switchback as in example #1 above. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eBecause of the red remote function you can place the Switchback and any effects in its loops completely out of sight under your pedal board or in a rack while only having the small 2\"x2” Red Remote accessible!!!\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Switchback could become an essential utility in your touring rig or studio, helping you solve many switching puzzles with your rig. So grab a Switchback and get to climbing!\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER.\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319858499684,"sku":"SW","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsSwitchback.png?v=1698433355"},{"product_id":"volture","title":"VOLTURE","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eVOLTAGE SAG UTILITY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eSince the fuzz effect was invented in the early sixties, guitar players have gone to great lengths to achieve the perfect fuzz tone. Legends say that Duane Allman placed his fuzz pedal in the freezer between sessions to cool down the transistors, and that Roger Mayer meticulously modified Hendrix’s Fuzz Faces beyond recognition in search of an elusive, magical fuzz experience. Fortunately, even apart from these mythological methods, there’s one trick that always works: use a dying battery. Inherently simple devices like fuzz circuits are extremely sensitive to the amount of voltage that they receive, thus any change in the voltage from your power supply will cause drastically different tones. Guitarists eventually caught on to this hack and began draining their batteries to try and find the sweet spot for their fuzz pedal. A good idea in theory, but who has time for that? Then, just a few years ago, a certain unnamed guitarist reached out to me for a practical solution for this technique– and the Volture was born. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Volture is a modern day device for your vintage fuzz circuitry. Simply place it in between your power supply and your pedal, and you can precisely trim the input voltage and perfectly replicate the tone of a dying battery. As the song says, “Power is made by power being taken.” \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThough we developed it specifically for vintage fuzz circuits, the Volture will work on any fully analog pedal. In fact, you might be surprised by the trippy sounds you find lurking in your favorite overdrive or distortion.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eWith the Volture, you can input 9, 12 or 18VDC and output an adjustable voltage from 7.5VDC down to 1.25VDC, creating gated, distorted, possibly glitchy but always sputtery fuzz sounds. Input voltage is 9VDC to 18VDC, center negative. Output voltage is 1.25VDC to 7.5VDC, center negative. The Volture uses 10mA in addition to the power when it is active. The Volture should be used with pedals less than 50mA.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eNOTE: As you turn the voltage down, the LED will dim simultaneously with the voltage level. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHE VOLTURE USES INDUSTRY STANDARD 2.1MM POWER SUPPLY CABLES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 12MA, AND MEASURES 3.6\"X1.5\"X1\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cem data-mce-fragment=\"1\"\u003e**WARNING**\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003cem data-mce-fragment=\"1\"\u003eThe Volture should not be paired with any digital\/logic circuitry-based pedal, otherwise the user risks potential damage to the pedal being powered due to inadequate voltage. As long as your pedal is all analog, you’ll be fine. A dying battery never hurt an analog circuit.\u003c\/em\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319859220580,"sku":"VL","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsVolture.png?v=1698433567"},{"product_id":"little-black-amp-box","title":"LITTLE BLACK AMP BOX","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eVOLUME UTILITY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eTaming a screaming-loud tube amp doesn’t always require bulky and expensive load boxes and attenuators. If your amp has a series effects loop, the JHS Pedals Little Black Amp Box takes care of the job while being able to fit into the palm of your hand. Simply run it through your amp’s effects loop and control the amount of signal you send to your amplifier’s power section. You’ll love the way the Little Black Amp Box lets you really push the front end of your amp for the natural feel and tone that you can’t get any other way. And your bandmates, sound engineer, parents, neighbors, significant other, and pets will love the way it can keep your volume down to bedroom levels.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cem data-mce-fragment=\"1\"\u003e**WARNING**\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cem data-mce-fragment=\"1\"\u003eATTEMPTING TO PLACE THE LITTLE BLACK AMP BOX BETWEEN THE POWER SECTION OF YOUR AMPLIFIER AND YOUR SPEAKERS WILL RESULT IN DAMAGE TO YOUR GEAR. PLACE IT IN A SERIES EFFECTS LOOP ONLY.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDO NOT USE WITH A PARALLEL EFX LOOP, IT WILL NOT PRODUCE INTENDED EFFECT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCRANKED AMP TONE AT WHISPER VOLUME\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIf your amp has a series effects loop, you should stop reading this and go buy a JHS Pedals Little Black Amp Box. All the roaring amp tones you need come with none of the ear-bleeding levels.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Run it in your effects loop to turn down a turned-up amp\u003cbr data-mce-fragment=\"1\"\u003e- Retain the response and tone of your amp’s sweet spot at lower levels\u003cbr data-mce-fragment=\"1\"\u003e- High-grade components keep your tone clear and pure\u003cbr data-mce-fragment=\"1\"\u003e- Passive design doesn’t require any power \u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCONVENIENT LOW-PROFILE DESIGN\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eA device such as the Little Black Amp Box is content to be a workhorse piece of gear that quietly does its job in the background. That’s why we designed this little guy to be compact, sturdy, and simple to integrate into your rig.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Small size is ideal for saving pedalboard space or even setting on top of your amp\u003cbr data-mce-fragment=\"1\"\u003e- Can easily be mounted underneath your board\u003cbr data-mce-fragment=\"1\"\u003e- Built rugged\u003cbr data-mce-fragment=\"1\"\u003e- Black powder coating keeps the buffer hidden in the background\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eWE DO NOT SUGGEST RUNNING OTHER PEDALS IN THE EFFECTS LOOP WITH THE LITTLE BLACK AMP BOX AS IT WILL AFFECT THE WAY YOUR OTHER PEDALS SOUND. STILL, FEEL FREE TO EXPERIMENT WITH IT AS IT WILL NOT DAMAGE YOUR OTHER PEDALS.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL DOES NOT REQUIRE POWER AND IT MEASURES 3.6\"X1.5\"X1\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319859318884,"sku":"LBAB","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/image_49c170ac-aa64-4481-ade5-559970ba686a.png?v=1755871132"},{"product_id":"little-black-buffer","title":"LITTLE BLACK BUFFER","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eBUFFER UTILITY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eThough it’s a fairly nondescript-looking piece of gear, our Little Black Buffer may be the most powerful tone-shaping tool that you put on your pedalboard. By adding it to your signal path, you’ll restore all the high-end detail, output level, and tonal character that involved pedal chains and long cable runs steal away. And because the Little Black Buffer is an on-all-the-time sort of thing, you can save precious real estate by mounting it on the underside of your pedalboard. Give the Little Black Buffer a try. You’ll wonder how you went so long without one. \u003c\/p\u003e\n\u003ch4\u003eKEEPS YOUR TONE CLEAR, POWERFUL, AND PRISTINE\u003c\/h4\u003e\n\u003cp class=\"\"\u003eIf you’re as pedal happy as we are at JHS, you’re going to want a quality buffer in your signal chain. The Little Black Buffer is like giving your guitar’s tone a shot of adrenaline, ensuring it hits your amp with the same strength and character as it left your fingers.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Converts your guitar’s hi-Z signal to lo-Z for driving long cables and pedal chains\u003cbr\u003e- Retains the original tone of your guitar without tone loss from other gear in your signal chain \u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eCONVENIENT LOW-PROFILE DESIGN\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eAn active buffer, such as the Little Black Buffer, is content to be a workhorse piece of gear that quietly does its job in the background. That’s why we designed this little guy to be compact, sturdy, and simple to integrate into your rig.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Small size is ideal for saving pedalboard space\u003cbr\u003e- Can easily be mounted underneath your board\u003cbr\u003e- Built rugged\u003cbr\u003e- Black powder coating keeps the buffer hidden in the background\u003c\/p\u003e\n\u003cp class=\"\"\u003ePlug your guitar straight into the input then out into your pedal chain. No need for a switch.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 19MA, AND MEASURES 3.6\"X1.5\"X1\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eThe Little Black Buffer\/Buffered Splitter is designed to work with signal levels up to +4dBu. Exceeding +4dBu will cause clipping!\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319859712100,"sku":"LBB","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsLittleBlackBuffer.png?v=1698433737"},{"product_id":"buffered-splitter","title":"BUFFERED SPLITTER","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eBUFFER UTILITY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eThere are so many reasons to add the JHS Pedals Buffered Splitter to your pedalboard. But the most important one is great tone. If you’ve ever split your guitar’s signal with a passive device, adapter, or even certain effects pedals, you know that the results can sometimes be less than stellar. This happens because many of those products simply cut your tone in two, sending one half one way and the other half the other way. You can end up with a tone that is muddy and lifeless. Adding our Buffered Splitter to your chain not only avoids these issues, but it will perfectly drive your long cable runs and pedalboard chains as well. Trust us on this one. If you need to split your signal for any host of reasons, putting our Buffered Splitter on your board will give you your tone back.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eSIMPLE AND EFFECTIVE SIGNAL-SPLITTING DEVICE\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThere are a ton of applications for adding a Buffered Splitter to your signal chain. Whether moving a tuner out of line or running a dual-amp setup, once you use the JHS Buffered Splitter, you’ll never be without one again. Here are just a few options.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Send one signal to a tuner that is out of the signal chain while retaining your full tone\u003cbr\u003e- In a dual-amp setup, both amplifiers will see a powerful, clean signal\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eKEEPS YOUR TONE CLEAR, POWERFUL, AND PRISTINE \u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eIf you’re as pedal happy as we are at JHS, you’re going to want this quality buffer in your signal chain. The Buffered Splitter is like giving each output a shot of adrenaline, ensuring they hit your amp with the same strength and character as they left your fingers.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Converts your guitar’s hi-Z signal to lo-Z for driving long cables and pedal chains\u003cbr\u003e- Retains the original tone of your guitar without coloration from the other gear in your signal chain\u003c\/p\u003e\n\u003ch4\u003eCONVENIENT LOW-PROFILE DESIGN\u003c\/h4\u003e\n\u003cp class=\"\"\u003eA device such as the Buffered Splitter is content to be a workhorse piece of gear that quietly does its job in the background. That’s why we designed this little guy to be compact, sturdy, and simple to integrate into your rig.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Small size is ideal for saving pedalboard space\u003cbr\u003e- Can easily be mounted underneath your board\u003cbr\u003e- Built rugged\u003cbr\u003e- Black powder coating keeps the buffer hidden in the background\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 19MA, AND MEASURES 3.6\"X1.5\"X1\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eThe Little Black Buffer\/Buffered Splitter is designed to work with signal levels up to +4dBu. Exceeding +4dBu will cause clipping!\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319859941476,"sku":"","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsBufferedSplitter.png?v=1698433814"},{"product_id":"summing-amp","title":"SUMMING AMP","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUTILITY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe JHS Pedals Summing Amp gives you the ability to take two inputs and blend them into one output.  Simply plug into the two marked inputs and then plug in your single output and you’re ready to go. From two signals the Summing Amp creates one mono signal.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThis is perfect for putting effects in parallel so that they are not affected by one another. The Edge used this technique in the 80s with his delays. When you have a quarter note delay and a dotted eighth delay and you place them in parallel then sum them back together, the effect is that both delays come through more clearly and are not “delaying the delays”. This can also be used with overdrives so that they are not pushing each other as in series, but sit atop one another in parallel. Another use is combining fuzz and compression in parallel so the fuzz isn’t getting choked by the compression.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe Summing Amp gives you the ability to use effects together in completely new ways that you may never have imagined and can open up new and inspiring sounds with your old effects. This simple little box takes two inputs and creates one output but it adds up to a whole lot more!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 19MA, AND MEASURES 3.6\"X1.5\"X1\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHE SUMMING AMP IS DESIGNED TO WORK WITH INPUT SIGNALS THAT ARE BELOW 14V INPUT GAIN. ANYTHING ABOVE 14V INPUT GAIN WILL CAUSE THE UNIT TO CLIP.\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319860039780,"sku":"","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsSummingAmp.png?v=1698433885"},{"product_id":"mini-a-b","title":"MINI A\/B","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSWITCHING UTILITY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eThere are two types of players, those that utilize an A\/B box like our Mini A\/B here, and those that don’t know what they’re missing. Add one to your pedalboard, and you’ll find the Mini A\/B is full of indispensable benefits on the gig, in the studio, or even at home. At its core, the simple footswitch design selects between a pair of ¼” jacks on the left side of the unit. Hook one up and you’ll instantly be switching between amps, quickly swapping guitars between songs, using it to isolate your tuner from your signal, killing your stage sound as a mute, and more. And with its adorably tiny footprint, the Mini A\/B will fit on even the most cramped pedalboards.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eTHE DO-IT-ALL SWITCH\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eHow many ways you utilize the JHS Mini A\/B is only limited by your necessity. While it may not be a modulation pedal or fuzz (don’t worry, we have those for you too: \u003cmeta charset=\"utf-8\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/jhspedals.mom\/products\/emperor-v2\" target=\"_blank\"\u003eEmperor,\u003c\/a\u003e \u003ca rel=\"noopener\" href=\"https:\/\/jhspedals.mom\/products\/muffuletta\" target=\"_blank\"\u003eMuffuletta\u003c\/a\u003e), you’ll be hard pressed to find a pedal you step on more than this little gem.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Instantly swap between two instruments\u003cbr\u003e- Perfect for switching tones on dual-amplifier rigs\u003cbr\u003e- Isolate your tuner from the signal chain, while achieving silent onstage tuning\u003cbr\u003e- Leave output unplugged for a convenient mute function\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eCONVENIENT LOW-PROFILE DESIGN\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eLike its name suggests, the Mini A\/B is a bite-sized wonder. We can achieve that because of its passive design, which also means it won’t cause any tonal loss. However, we did choose to include a bright LED indicator, letting you know which jack is selected. Don’t need that light? Just unplug the power cable. The Mini A\/B will still work just fine.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Small size is ideal for saving pedalboard space\u003cbr\u003e- LED indicator tells you which ¼” you have selected\u003cbr\u003e- Can run perfectly without power\u003cbr\u003e- Built rugged\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL IS PASSIVE BUT REQUIRES STANDARD 9V DC NEGATIVE POWER FOR THE LED TO FUNCTION AND IT MEASURES 3.6\"X1.5\"X1\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319860334692,"sku":"AB","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/image_4540d9cd-f72f-4721-98cb-e7d431f770ed.png?v=1755871184"},{"product_id":"mute-switch","title":"MUTE SWITCH","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUTILITY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eWith a name like the JHS Pedals Mute Switch, it doesn’t take a rocket surgeon to guess what this little guy does. But in case you’re still curious, it’s a switch that mutes your signal. This latching design lets you immediately cut your signal for silent tuning, breaks between sets, and more. We’d love to go on about this valuable tool...but we’ve pretty much covered it. \u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eIT TURNS YOUR SIGNAL ON AND OFF\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThis Mute Switch mutes your sound. It’s that simple. And yet we think that with its color-changing LED indicator, high-grade components, and convenient compact size, the JHS Pedals Mute Switch does it better than any other.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e- Small size is ideal for saving pedalboard space\u003cbr data-mce-fragment=\"1\"\u003e- Easy-to-use latching design\u003cbr data-mce-fragment=\"1\"\u003e- Enjoy absolute silence from everything before it in the chain\u003cbr data-mce-fragment=\"1\"\u003e- Works great on pedalboards and in effects loops\u003cbr data-mce-fragment=\"1\"\u003e- LED indicator changes from blue to red to show if the mute is engaged\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTE that this is NOT a momentary switch. When clicked, the signal stays in the position chosen. \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL IS PASSIVE BUT REQUIRES STANDARD 9V DC NEGATIVE FOR THE LED TO FUNCTION AND IT MEASURES 3.6\"X1.5\"X1\"\u003c\/strong\u003e\u003c\/h3\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319860465764,"sku":"MU","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/image_0e7c55de-6cbf-4340-a259-35263c600b2b.png?v=1755806909"},{"product_id":"red-remote","title":"RED REMOTE","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUTILITY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eUse our new Red Remote with select JHS Pedals to remotely activate the on-board toggle found on the pedal itself. By connecting the Red Remote to a Red Remote equipped pedal with any 1\/4” instrument cable, this essentially acts as an on-the-fly switcher to give you more tonal options in any setting.  The Red Remote is currently compatible with the following JHS Pedals:\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMORNING GLORY V4\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSUPERBOLT V2\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTWIN TWELVE V2\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDOUBLE BARREL V4\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eKILT V2\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSWITCHBACK\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWhen using the Red Remote, the remote itself will act as the toggle, therefore disabling the pedal's onboard toggle switch.  For example, if you have our Red Remote plugged into the SuperBolt, the SuperBolt's \"GAIN\" toggle will be deactivated and the Red Remote will switch the toggle on\/off as you step on the footswitch.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eTo use the Red Remote, plug the remote into the jack of the pedal labeled \"REMOTE...\"  ...this jack will have a red washer to denote it is the appropriate jack to plug the Red Remote into.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eThis pedal measures 2\"x2\"x1.25\" and does not require any power supply. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNOTE: YOU CAN USE ANY LATCHING AMP STYLE FOOTSWITCH OR BUILD YOUR OWN TOO!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL DOES NOT REQUIRE A POWER SOURCE.\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319860793444,"sku":"","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHS_Pedals_Red_Remote.png?v=1761167523"},{"product_id":"notaklon","title":"NOTAKLÖN","description":"\u003cdiv\u003e\u003cstrong\u003e**The NOTAKLÖN is omitted from Welcome15 and SMS discount codes.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ch2\u003e\n\u003cstrong\u003eA SOLDERLESS DIY KIT!\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eWe’re proud to present the NOTAKLÖN DIY Overdrive kit, which utilizes the unique “Shamrock” modification that JHS performed on the *Klon KTR for several years. With easy-to-understand instructions (no soldering required), this kit is for anyone who wants a particularly mythical overdrive and the experience of easily building their own pedal. We’ve even included \"goop\" so that you can conceal the \"magical\" diodes.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIt’s NOTAKLÖN 'til you build it. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e**ALL SALES FINAL**  \u003c\/strong\u003eThis product is a DIY kit.  No returns will be accepted under any conditions.  This product is covered by a limited liability warranty. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e**\u003cmeta charset=\"UTF-8\"\u003eNOTAKLÖN is excluded from any discounts. \u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003ch4\u003e\n\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eOutput –\u003c\/strong\u003e Controls the overall volume of the pedal. Left is less, right is more. \u003cbr\u003e\u003cstrong\u003eTreble –\u003c\/strong\u003e Controls the amount of treble boost or cut. Noon is neutral. \u003cbr\u003e\u003cstrong\u003eGain –\u003c\/strong\u003e Controls the amount of overdrive. Fully left is clean, which gives the ability to add up to +16dB of clean boost in conjunction with the output. Fully right is max overdrive. As the control is turned clockwise, there is an increase in the mid-frequency range. \u003cbr\u003e\u003cstrong\u003eShamrock Mod Switch –\u003c\/strong\u003e Increases the overall gain +4dB for unmatched boost abilities with an increase in mid frequencies and an additional stage of hard-edge clipping. \u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eInput\u003c\/strong\u003e - 1\/4” jack on the top right side of the pedal. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e - 1\/4” jack on the top left side of the pedal. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER \u003c\/strong\u003e – \u003cstrong\u003eRequires 9V DC negative center power and consumes 30mA. Do not use more than 9V DC as the pedal internally converts 9V to 18V. If you do, you will void your warranty.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis pedal measures 4.7\" X 3.7\" X 1.66”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e*THE KLON KTR IS A REGISTERED TRADEMARK. THE JHS PEDALS NOTAKLÖN IS IN NO WAY AFFILIATED WITH OR ENDORSED BY KLON.\u003c\/em\u003e \u003c\/strong\u003e\u003cbr\u003e\u003cbr style=\"font-weight: 400;\"\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42409740599396,"sku":"NKLN","price":119.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/image_61fa0136-8564-4499-a349-83613710a482.png?v=1755872000"},{"product_id":"hard-drive","title":"HARD DRIVE","description":"\u003ch4\u003e\u003cstrong\u003eMODERN DISTORTION\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe JHS Hard Drive is the first attempt in our company’s fifteen-year history at a full-blown and respectable modern distortion pedal that is not based on a previous circuit or classic topology. In 2016, Josh had the idea to develop a circuit that covered the best high-gain distortion tones of the ’90s and 2000s, a sound that embodied the post-grunge alternative rock movement. We started by looking at pedals, then amps, and after exploring the typical paths of circuitry, we took a sharp turn and started from scratch. Eight years later, the pedal is finished and ready to take you to the next level. The Hard Drive goes harder and further than any gain or distortion we’ve released so far.\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003eA FRESH APPROACH\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003eA fresh approach to achieving high gain distortion in a pedal format, the Hard Drive includes cascaded gain stages and a hard limiting circuit, followed by a class AB amplifier section that drives a “sweepable midrange” EQ and Baxandall bass and treble controls. With its generous external controls, the Hard Drive lets you dial in everything from grinding tube amp crunch to a bona fide wall of distortion that can easily cut through any stage or studio mix.\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003eHONORING CLIFF SMITH\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003eThe Hard Drive holds a special place in JHS history as the final design work of our former head engineer, Cliff Smith. The prototype and design had been finalized just weeks before he passed away in 2021.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e“I don't know that there's ever been a JHS circuit where we experimented more. It was always a loose and casual approach to getting this right. I knew something great would come of it, so we just let it simmer…Cliff would call the Hard Drive circuit a mutt, and I agree– meaning this circuit is not a clone of anything in particular but rather an original iteration of tons of different inspirations and ideas, kind of like the Colour Box that he and I developed years earlier. I have vivid memories of Cliff spending entire weekends and nights tinkering and experimenting with this circuit. He would message me notes on the weekend when he got excited about something he stumbled into. This pedal was his hobby for a long time. He truly loved big, complicated gain staging and the challenge of making solid state circuitry respond like a valve amp. As a passion project that became a real product through Cliff’s consistent work, I can’t think of a more fitting last release from us as a design team than the Hard Drive. Cliff loved learning and this was his last masterclass. It’s an honor to finally put it out and let people enjoy the idea he brought to life.” - Josh Scott\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eVolume -\u003c\/strong\u003e Controls the overall volume of the pedal. Left is less, right is more.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eMid Freq -\u003c\/strong\u003e Controls which mid frequencies are boosted or scooped by the Mid control.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eDrive (Distortion)\u003c\/strong\u003e - Controls the amount of drive (distortion). Left is less, right is more.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eBass -\u003c\/strong\u003e Controls the bass frequencies level. Noon is flat, left is cut, right is boosted.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eMiddle -\u003c\/strong\u003e Controls the mid frequencies level. Noon is flat, left is scooped, right is boosted. The frequency range is set by the Mid Freq control.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTreble -\u003c\/strong\u003e Controls the treble frequencies level. Noon is flat, left is cut, right is boosted.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eSilent soft touch switching with a buffered bypass.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 78mA, AND MEASURES 2.6\" X 4.8\" X 1.6\". \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c!----\u003e","brand":"JHS Pedals","offers":[{"title":"Hard Drive BLACK","offer_id":44001819000932,"sku":"HDBK","price":199.0,"currency_code":"USD","in_stock":true},{"title":"Hard Drive TAN","offer_id":44001819033700,"sku":"HDTN","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHS_Pedals_Hard_Drive_BLACK.png?v=1718995648"},{"product_id":"packrat-white","title":"PACKRAT WHITE","description":"\u003ch3\u003e\u003cstrong\u003eNOW AVAILABLE IN WHITE COLORWAY!\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eIn 1978, one of the most versatile distortion pedals of all time was invented in Kalamazoo–the ProCo RAT. Scott Burnham and Steve Kiraly had the idea after playing, repairing, and modifying all distortion pedals on the market. They wanted something that didn’t exist yet at MXR, DOD, or BOSS, a pedal that could go from overdrive to distortion and all the way to fuzz. By 1979, Scott perfected the circuit in his rat-infested basement workshop. The rest is history.\u003c\/p\u003e\n\u003cp\u003eThe PackRat is the ultimate tribute to 40+ years of RAT evolution and its impact on guitar’s sound. Artists from every genre have used this iconic and unassuming black box to create their tones, including Nirvana, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck, and Radiohead. \u003c\/p\u003e\n\u003cp\u003eThe PackRat uses the same unique digital runway system featured in our other multimode pedals (Muffuletta and Bonsai) to direct the paths of 261 components through 40 individual switches. This means when you choose one of the nine legendary modes, you are playing fully analog circuits that perfectly replicate that mode down to the aging components. If you purchased these nine hard-to-find pedals on the used market right now, you’d pay around \u003cs\u003e$4000\u003c\/s\u003e $6000 \u003cem\u003e(updated Summer 2024)\u003c\/em\u003e. The Pack Rat at $249 saves you thousands! \u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eUsing the PackRat is straightforward. “Volume” adjusts the overall volume of the pedal. “Distortion” lets you raise and lower the amount of gain or distortion. “Filter” allows you to brighten or darken the sound of the overall effect, acting as a simple low-pass filter. The “Mode” knob is a rotary switch that clicks between each of the nine legendary RAT versions. As you change the mode, the analog circuitry is rewired between different values of resistors, capacitors, diodes, and op-amps. \u003c\/p\u003e\n\u003cp\u003eResearch I obtained over 100 different RAT specimens for study and interviewed former ProCo employees about the design, evolution, and production of the RAT. Many of the widely accepted “facts” about the differences in versions or sounds, including some of my own beliefs, were misinformed at best. Often, they’re wrong. Reliable sites had inaccurate timelines with incorrect pictures of the respective models. Even ProCo’s own history was missing tons of details about changes made to the RAT over the past 40 years. \u003c\/p\u003e\n\u003cp\u003eTo find the facts and properly understand this circuit, we obtained and studied every RAT model ever made (including some prototypes) in great detail. We analyzed them using state-of-the-art audio precision equipment, measured components, built comparison charts, traced each circuit, and closely examined the branding, logos, and other changes as precisely as possible. \u003c\/p\u003e\n\u003cp\u003eVintage units are typically dated by reading manufacturer codes on potentiometers and knobs. Unfortunately, this is a flawed dating method. ProCo would have ordered thousands of potentiometers, and many pedals were made with parts that were at least two or three years older than the production date. This means you’ll see v1s, v2s, and v3s with overlapping dates. Combine this with decades of people “remembering” what RAT model sounds the best, and you’re in a historically inaccurate hot mess. \u003c\/p\u003e\n\u003cp\u003eTo properly build an accurate timeline and database of changes, I dated components when possible, interviewed people involved in the eras of production, referenced over 1,000 online sales photographs, and studied the prototypes and evolution of engineer design ideas. I did everything possible to build an airtight case for my work and not rely on any prior timelines. The results may not be perfect, but they’re pretty close. \u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eThe PackRat Modes \u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e1. The OG v1 (79-83)\u003c\/p\u003e\n\u003cp\u003eThe OG is a perfect recreation of the first line of RATs ever made. Early v1s are also known as the Fringe Logo and can be identified by the word RAT having a slight fringe graphic on the typeface. The v1 also has small silver capped knobs and a Tone knob instead of the more familiar Filter label. From a circuitry standpoint, the v1 and v2 Big Box models are practically identical except that the v1 Tone control increases treble as you turn clockwise while the v2 Filter control decreases treble. In the OG mode, you are playing the exact circuitry of my 1979 v1 Fringe model, including accurate Tone control rotation and taper. You should know the v1 and v2 are the same circuit. Simple adjustments to the Tone\/Filter control can achieve identical sounds from each unit. I know super nerds will ask why we didn’t include a Bud Box mode. Basically, I’d consider the Bud Box RAT to be a v1 because it is nearly identical, other than having an input buffer and a few extra parts. \u003c\/p\u003e\n\u003cp\u003e2. White Face v3 (84-86)\u003c\/p\u003e\n\u003cp\u003eIn 1984, the RAT transitioned to a smaller square enclosure with a new white rectangle logo. The word RAT was in all black caps inside the white rectangle–hence the “White Face” nickname. In 1986, this same model had a logo change that inverted the white and black colors, resulting in the more familiar white rectangle outline and font on a black enclosure. This “White Face” model has become a holy grail RAT and even spawned a reissue in the nineties. The irony is that it’s the same exact circuit as the previous Big Box V2, the 1986 “Black Face,” and the 1989 RAT2. The “White Face” V3 update was purely cosmetic due to screen printing errors that needed to be solved. ProCo knew that the world wanted smaller pedals as brands like BOSS, DOD, and Ibanez gained increasing market share. They wisely cashed in on the trend. Why would I put this particular version in my PackRat if it’s not different from the OG? For one, nostalgia is a powerful thing. Second, this mode switches to the reverse orientation Filter control with an entirely different feel and experience. It also widens the sweet spot for the most beloved RAT tones. \u003c\/p\u003e\n\u003cp\u003e3. Turbo v5 (89)\u003c\/p\u003e\n\u003cp\u003eThe heart of the RAT tone comes from symmetrical hard clipping. A simple amplifier circuit amplifies the signal and pushes it across a pair of clipping diodes. These diodes clip off the top of the waveform and create square wave distortion. Every RAT until 1989 utilized silicon diodes, like the DOD 250 and BOSS DS-1, but the new Turbo RAT used LEDs. This technique was a first in pedals and offered a completely new RAT experience. The silicon diodes in previous versions have a lower forward voltage, leading to a faster and more extreme clipping of the waveform. This type of diode creates a very saturated tone. LEDs have a much higher forward voltage, so they don’t activate or clip the signal as fast or as hard. It takes more signal to reach the clipping point, creating more touch sensitivity. It is also worth noting this model was the first RAT to offer the sloped enclosure we see today. \u003c\/p\u003e\n\u003cp\u003e4. BRAT v6 (97)\u003c\/p\u003e\n\u003cp\u003eIn 1997, ProCo got into the budget pedal game by releasing the BRAT and the Guitar Center exclusive Roadkill. So far, these identical circuits with different but very 90s grunge aesthetics have the most changes in the evolution. This design added an input buffer circuit and soft clipping (inside the op-amp) on top of the hard clipping of previous RATs. We also see a return to the opposite taper\/rotation Filter control and several capacitor value changes that alter frequency response and distortion characteristics. \u003c\/p\u003e\n\u003cp\u003e5. Dirty v7 (04)\u003c\/p\u003e\n\u003cp\u003eIn 2002, ProCo released a 2-in-1 RAT pedal called the Deucetone. This pedal allowed you to have two completely separate RATs and activate them independently or stack them together. It also introduced two brand new sounds into the RAT topology–“Clean RAT” and “Dirty RAT.” Due to the popularity of the “Dirty RAT” mode, they released it as a single pedal called You Dirty RAT. This circuit utilizes germanium diodes in the symmetrical hard clipping section. This gives the most saturation and waveform clip-off of any version to date. In addition to the diode changes, this model had several different capacitor value changes, which led to a different distortion character and feel. \u003c\/p\u003e\n\u003cp\u003e6. LA (86)\u003c\/p\u003e\n\u003cp\u003eIn 1986, Ibanez released the 10 Series, which included three RAT style pedals. The Super Product and Fat Cat were traditional RAT-style pedals, while the quirkier LA Metal was, in my opinion, one of the best modified RAT circuits of the eighties. It includes a great input buffer, several key capacitor changes for frequency response, and no clipping diodes. The distortion is produced by overloading or “clipping the rails” of the op-amp. You may not play LA metal, but I promise you’ll love this mode! \u003c\/p\u003e\n\u003cp\u003e7. Landgraff MO’D (99)\u003c\/p\u003e\n\u003cp\u003eBetween 1999 and 2000, John Landgraff started building pedals by hand in Pensacola, each with a unique swirl paint job and soldered point-to-point. John’s pedals gained a reputation for sounding amazing and remain the true definition of boutique. Of all his releases, my favorite was a distortion pedal called the “MO’D,” a distant cousin of the RAT and a fantastic pedal in its own right. \u003c\/p\u003e\n\u003cp\u003e8. Caroline (10) \u003c\/p\u003e\n\u003cp\u003eA few years after starting JHS, I purchased a fascinating distortion pedal from a brand new company in South Carolina. I remember jumping on the phone and geeking out with the designer and head of the company, Philippe Herndon. We talked about the circuit, his love for RATs, and his clever take on the circuit. That pedal was called the Wave Cannon, and when I started the PackRat project, Philippe was obviously the friend I needed to bring along for the ride.\u003c\/p\u003e\n\u003cp\u003e9. JHS Mode \u003c\/p\u003e\n\u003cp\u003eIn 2003, I managed a tiny guitar shop in Northwest Alabama. One day, a man walked in wanting to sell a vintage Small Box RAT. When the shop’s owner said he wasn’t interested, I said I was and bought that RAT for $15. This event led me down the pedal-collecting rabbit hole. That pedal stayed on my board for a decade. When I started modifying and building pedals in 2007, I opened it up and modded it to give a different kind of sound. That modification led to the now discontinued JHS All American and the JHS “PackRat” mod we performed on thousands of RAT pedals from 2008-2018. The JHS Mode lets me keep what makes the RAT unique and add in a few of my favorite mods.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 100MA, AND MEASURES 2.2\" X 4.8\" X 1.6\".\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":44299087741028,"sku":"PKWT","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsPackratWhite.png?v=1724076103"},{"product_id":"flight-delay","title":"FLIGHT DELAY","description":"\u003cp\u003eThe JHS Pedals Flight Delay was made with one goal in mind: to be everything you need in a delay and nothing you don’t. In a world full of complex effects pedals, we worked hard to bring you the opposite - a beautifully simple stompbox that combines the most essential delay types with the features that matter. With three modes (Analog, Reverse, and Digital) inspired by my all-time favorite delays - EHX Memory Man, Boss DD-5, and Line 6 DL4 “Reverse Mode” - the Flight Delay is familiar, inspiring, and versatile enough for players in any genre. If you are tired of delay pedals that require frustrating menu diving to find the sound you want, endless scrolling on option screens, and complicated user interfaces, look no further!\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eMIX -\u003c\/strong\u003e Controls the mix of delay with your dry signal. All the way left is fully dry, all the way right is fully wet. Noon is a 50\/50 blend.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREPEATS -\u003c\/strong\u003e Controls the amount of feedback or repeats in the delay signal. Left is less, right is more. Fully right will give infinite repeats. Be careful! This feature can quite literally spiral out of control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEQ - \u003c\/strong\u003eAdjusts the tone or color of the repeats. Left is a darker, warmer delay tone. Right is brighter and crisper.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTIME - \u003c\/strong\u003eControls the length of the delay from 50ms to 1 second. Left is shorter, right is longer.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eMODES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eANALOG -\u003c\/strong\u003e A filtered analog-style BBD delay that harkens back to classic echo pedals like the\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEHX Memory Man and BOSS DM-2.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVERSE -\u003c\/strong\u003e Plays the delay signal backwards, inspired by effects like the Danelectro Back Talk and Line 6 DL4 Reverse mode.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDIGITAL -\u003c\/strong\u003e Crisp, digital-style delay that pays tribute to early DSP delays like the BOSS DD-5 and the Ibanez DE7.\u003c\/p\u003e\n\u003cp\u003e**Note: when switching between modes, the delay time will default to the Time control setting.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eSUBDIVISION TOGGLE \u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eSets the interval of delay repeats - quarter note, eighth note, or dotted eighth note in relation to your tapped tempo.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eTRAILS BYPASS MODE\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eAllows the repeats to trail when the pedal is bypassed. To activate or deactivate, hold both footswitches for two seconds while the pedal is on. The left bypass LED will blink, and the setting will be retained.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eMODULATION\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe flight delay features a meticulously designed modulation path that affects the delayed signal. This can be used to perfectly emulate the modulation textures of a *Memory Man’s vibrato’d repeats or a vintage tape delay’s lo-fi warble warble and everything in between.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003cstrong\u003eMODULATION TOGGLE -\u003c\/strong\u003e Sets delay modulation style to chorus, vibrato, or off.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMOD DEPTH -\u003c\/strong\u003e Controls the depth or level of the modulation effect. Left is less, right is more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMOD RATE -\u003c\/strong\u003e Controls the rate of the modulation. Left is slower, right is faster.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eTAP\/EXPRESSION CONTROL FOR DELAY TIME\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eTAP - \u003c\/strong\u003eFor external tap control, plug a mono TS cable into the TAP\/EXP jack and connect to a switch or clocking device.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEXPRESSION -\u003c\/strong\u003e For control of the delay time with an expression pedal, plug a stereo TRS cable into the TAP\/EXP jack and connect to an expression pedal with the polarity set to “Tip”. Heel down produces the fastest delay time, and toe down produces the slowest delay time.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLEFT FOOTSWITCH -\u003c\/strong\u003e Bypass switch, which turns the effect on and off.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRIGHT FOOTSWITCH -\u003c\/strong\u003e Tap tempo switch. Tap in your tempo with two or more presses to lock in your delay time. (This will reset to the Time control setting when changing modes.)\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eI\/O \u0026amp; POWER\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eMONO INPUT -\u003c\/strong\u003e 1\/4” jack on the top right side of the pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMONO OUTPUT - \u003c\/strong\u003e1\/4” jack on the top left side of the pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTAP\/EXP JACK -\u003c\/strong\u003e 1\/4” jack on the top between the input and DC jack.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER -\u003c\/strong\u003e Requires 9VDC negative center power and consumes 85mA. Do not use more than 9VDC, or you will void your warranty.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cb\u003eTHE JHS PEDALS FLIGHT DELAY IS IN NO WAY AFFILIATED WITH OR ENDORSED BY IBANEZ, BOSS, DANELECTRO, ELECTRO-HARMONIX OR LINE 6.\u003c\/b\u003e\u003c\/h6\u003e","brand":"JHS Pedals","offers":[{"title":"WHITE","offer_id":44569062277220,"sku":"FDWT","price":249.0,"currency_code":"USD","in_stock":true},{"title":"BLUE","offer_id":44569062309988,"sku":"FDBL","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHS-Pedals-Flight-Delay-White.png?v=1729094223"},{"product_id":"colour-box-10","title":"COLOUR BOX 10","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn 2012, I had a crazy idea for a tone shaping device that had never been done before in the world of guitar pedals. I wanted to create an effects pedal that replicated the hard-to-achieve sounds of \"direct-in\" electric guitar recordings that I loved.  Bands like the Beatles, Spoon, Wilco, and Steely Dan had used this technique for years, but it was nearly impossible to recreate live.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eI wanted this pedal to transform my guitar rig into the tonal equivalent of a Neve studio console, and that was no small task. After lots of trial and error, experimentation, and re-works, this concept evolved into something far beyond what we had imagined.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn 2014 as we filmed the first demo videos at Abbey Road Studios in London and this idea had evolved into the most unique product we had ever made. The Colour Box was a full-fledged studio-grade preamplifier, EQ, and distortion generator with multi-instrument compatibility. It did what I had always wanted it to do, but it did so much more!\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eOn its release day, I wasn't quite sure how it would be accepted, but I knew that I loved it. As a few months went by, we saw something amazing begin to happen; this pedal was showing up in all types of environments. Producers, engineers, and artists were emailing us, tagging us on socials and showing how they had put the Colour Box to use. Studio vocals, live vocals, kick drums, acoustic guitars, bass, keys, overhead drums, stereo buses, room mics, synths, re-amps, and some incredibly large stage setups had it on almost every instrument! This unit can be heard on dozens of recordings from U2, Wilco, The National, Spoon, Collective Soul, Muse, the War on Drugs, and Phantogram amongst others. As proud of this pedal as we were, we wanted to make it better, so we did. \u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eVERSION 2 EMERGES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Colour Box V2 has all the same functionality of the V1 with many new and improved additions like expanded EQ controls, a Hi\/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe most significant improvements are:\u003c\/p\u003e\n\u003cul data-rte-list=\"default\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eAddition of an Output transformer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eSafely Passes 48V Phantom Power\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eEQ Shift Knobs for precision EQ control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eHi\/Lo Switch for ultra clean headroom\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e100% available clean signal even on acoustic guitar\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eSilent switching, aka no \"switch-pop\"\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eRuns on standard 9V DC Neg power\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFEATURES \u0026amp; CONTROLS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a \"drive\" or \"gain\" control, adding more grit, distortion, and even fuzz as you increase the gain.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18 dB, 2nd is +23 dB, 3rd is +28 dB, 4th is +33 dB, 5th is +39 dB.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Colour Box V2 has a new Hi \/ Lo switch to control the amount of clean headroom you have available. In the Lo mode, you will easily be able to get ultra clean sounds without breakup. Lo Mode is excellent for tone shaping when distortion is not needed. In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion, and fuzz sounds.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn addition to the Hi \/ Lo gain switch, there is a -20dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high output microphones.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMOST POWERFUL EQ YET\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls. The classically labeled EQ knobs adjust the amount of frequencies that get boosted and cut, while the Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eEQ Functions\u003c\/p\u003e\n\u003cul data-rte-list=\"default\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTreble Knob\u003c\/strong\u003e - Cut\/Boost Control     +\/-15dB  flat at noon.  CCW cuts, CW boosts.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMiddle Knob \u003c\/strong\u003e- Cut\/Boost Control    +\/- 10dB  flat at noon.  CCW cuts, CW boosts.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBass Knob\u003c\/strong\u003e -   Cut\/Boost Control   +\/-15dB  flat at noon.  CCW cuts, CW boosts.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eFrequencies controlled by EQ Shift Knobs:\u003c\/p\u003e\n\u003cul data-rte-list=\"default\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTreble Shift \u003c\/strong\u003e- 2kHz to 30kHz –  CCW lowers the center Freq, CW raises the center Freq.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMiddle Shift \u003c\/strong\u003e- 150Hz to 2.4kHz –  CCW lowers the center Freq, CW raises the center Freq.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBass Shift \u003c\/strong\u003e- 20Hz to 440Hz –  CCW lowers the center Freq, CW raises the center Freq.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe \u003cstrong data-mce-fragment=\"1\"\u003eHi-Pass\u003c\/strong\u003e section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob. The HPF is a 2nd order 12dB per octave high pass filter. The -3dB cutoff freq (the frequency at which the filter starts to act) can be adjusted from 160Hz to 650Hz.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eXLR AND OUTPUT\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Colour Box V2 has a combination XLR and 1\/4\" input jack to use either an instrument or microphone. Select your input with the input selector switch on the right side of the pedal labeled INST\/XLR.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV1 = Smaller enclosure; no “shift” EQ knobs; seven knobs total.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV2 = Larger enclosure; ten knobs total; added Hi\/Lo Toggle; passes phantom power. Output transformer addition.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHE COLOUR BOX V2 RUNS ONLY ON STANDARD 9V DC NEGATIVE POWER (DO NOT PLUG IN ANYTHING GREATER THAN 9V) AND MEASURES 5.7” X 3.75” X 1.85\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":44608312705124,"sku":"CB10","price":449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/ColourBox3DRender.png?v=1729869550"},{"product_id":"the-violet","title":"THE VIOLET","description":"\u003cp dir=\"ltr\"\u003eThe Violet Distortion is a new take on distortion\/overdrive brought to you from the collaborative minds of Josh Scott and highly influential Brazilian guitarist Lari Basilio! Using this pedal is like adding a new and ultra-flexible distortion channel to your favorite clean amplifier. The unique three-band EQ sets the Violet apart from our other popular distortion pedals. We placed the Midrange control before the distortion circuit as a powerful pre-amp distortion shaping tool. This single design choice allows the Violet to achieve hundreds of tones, from overdrive to full-on modern distortion. Treble and Bass controls are located in a more traditional position after the distortion circuit, offering familiar but extremely flexible post-distortion shaping you’re accustomed to.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe Violet also excels at stacking with other overdrives, distortions, and fuzzes, allowing it to fit perfectly into any rig as a second or new primary dirt device.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThis pedal is for anyone looking to give their guitar a new voice. As Lari put it, “Why would I need words when my guitar can speak for me?” \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003eVolume - Controls the overall volume of the unit. Left is less, right is more.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMid Freq - Controls which mid frequencies are boosted or scooped by the Mid control.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eGain - Controls the amount of drive. Left is less, right is more.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eBass - Controls level of bass frequencies. Noon is flat, left is cut, right is boosted.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMiddle - Controls level of mid frequencies. Noon is flat, left is scooped, right is boosted. The frequency range is set by the Mid Freq control.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eTreble - Controls level of treble frequencies. Noon is flat, left is cut, right is boosted.\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003eINPUT - ¼” jack on the top right side of the pedal.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eOUTPUT - ¼” jack on the top left side of the pedal.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003ePOWER - Uses 9V DC Negative Center. Do not use more than 9V DC. Damage may occur and your warranty will be voided. Silent, soft touch switching with a buffered bypass.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eTHIS PEDALS MEASURES 2.6\" X 4.8\" X 1.6\"  AND CONSUMES 55mA.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eLEARN MORE ABOUT LARI –\u003ca href=\"http:\/\/www.madisoncunningham.com\/\"\u003e \u003c\/a\u003e\u003ca href=\"https:\/\/www.laribasilio.com\/\"\u003eWWW.LARIBASILIO.COM\/\u003c\/a\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e","brand":"JHS Pedals","offers":[{"title":"PURPLE","offer_id":44672691961956,"sku":"VIPL","price":199.0,"currency_code":"USD","in_stock":true},{"title":"BLACK","offer_id":44672691994724,"sku":"VIBK","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSVioletPurple.png?v=1730730489"}],"url":"https:\/\/jhspedals.mom\/collections\/all-products.oembed","provider":"JHS Pedals","version":"1.0","type":"link"}